Story cover for Digimon: Data Breach by Kitsu321
Digimon: Data Breach
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Laufend, Zuerst veröffentlicht Jan. 01
Reality is fickle, as is fiction. What happens when those two forces conflict? The fate of two worlds lies in the hands of 3 young teens and their partners. Who will win once it comes to an all-out war between the two forces?

(Crossposted from AO3)
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After the Keels, the city exhales-and the Sakura twins learn how hard it is to breathe in sync. On paper, they're mirrors: same face, inverted colors. In practice, they're opposites pulled tight by the same thread. Sakura Haruka moves like a challenge-brusque, stubborn, allergic to kindness even as his moral compass drags him toward it. He'll break before he bends, and he'll do it with his chin up. Sakura Yūma learned survival in colder rooms. He keeps his cards close and his expression closer, manipulating situations instead of raising his voice, choosing distance where Haruka chooses impact. The mole under his right eye is the only obvious tell; the rest of him is locked behind a steady gaze and a habit of planning three moves ahead. Trauma taught him to trust no one, but love taught him to stand-always-between danger and his brother. When Yūma returns to Haruka's new town, he means to stay on the edges: watch, assess, intervene only when necessary. But Fuurin doesn't leave much space for ghosts. As lines blur between what Haruka wants to protect and what Yūma refuses to lose, the twins are forced to navigate loyalty, anger, and the kind of care that hurts before it heals. This is a slow-burn character study about light and shadow, brothers and boundaries, and what it costs to choose who you'll be tomorrow when yesterday still owns your pulse. Canon events may shift to serve the twins' arc; timeline extends beyond the Keels to focus on growth, not just fights. Naming note: In Japan, people usually use family names-Sakura is the surname; Haruka and Yūma are their given names. Credits: All characters other than Sakura Yūma and other mine ocs, belong to Satoru Nii. Images used in this story belong to their respective artists.
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