THOSE SECRET STAINED WITH BLOOD
- Reads 26
- Votes 3
- Parts 10
MatureOngoing2h 6m
Last published Fri, Jul 3, 2026
Fate is treated like law-recorded, preserved, unquestioned.
But history is not the truth. It is what survives.
For years, I've carried memories that are not mine-visions of executions, betrayals, and events erased from all records.
Speaking of them invites isolation. Silence became survival.
A university research program brought me back to India after years abroad. The project wasn't about preserving history-it was about uncovering what civilizations hide, what narratives are rewritten, Who benefits from forgetting. How advanced they were and what connection it has with other countries.
With a small group-some friends, some mere acquaintances-we were meant to research, But curiosity pulled us to ancient temples, more for knowledge or amusement than research.
And there, the temples---
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بووکی دایکم
پاش ئەوەی کوڕێک لەلایەن ئەو کەسەی کە وایزانی خۆشی دەوێت ڕەتکرایەوە بە خراپی دڵی دەشکێ بۆیە بڕیار دەدات دڵی بکاتە سەهۆڵ بەندێکی ئەستوور چاوێکی کوێر لەبینینی هەر کچێ تر وە بڕیار دەدات چیتر هیچ کچێکی لا گرنگ نەبێ چی ڕوودەدات کاتێک دایکی بڕیار دەدا کچێکی خزمی دوری خۆیانی بۆ بێنێ کە عەجیب نازدارە لەیل ~ دڵدار چیرۆکێکی کوردیە بەتەواوی بیرۆکەی خۆمە و دەست نوسی خۆمە و ئەگەر لێک چونیش هەبێ تەنها ڕێکەوتێک بووە
Yara Isaye loses her family in an accident. Two days later, she wakes up in a novel she once read, as the story's villainess, Yara Julian Isaye. Tyrannical, cruel, and unforgiving. Destined to be rejected by her own family, and the one fated to die at the hands of the Empire's most unfeeling man. She already knows how it unfolds. So she keeps her distance. She does not reach for them, does not question the role she has been given. It is easier to accept what has already been written than to hope for something else. Grief dulls everything else, whether she lives or dies no longer feels important. Until the story begins to shift. A hesitation where there should be indifference, a quiet concern that does not belong, and the man who was meant to kill her, once distant, and unmoved, no longer looks at her as he should, but with something far more difficult to name. Yara tells herself it changes nothing, because some endings are deserved. Aren't they? [Disclaimer: English isn't my first language so expect grammatical errors]
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