The Crown of Thorns and Ashes

The Crown of Thorns and Ashes

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WpMetadataReadOngoing1h 41m
WpMetadataNoticeLast published Sat, May 23, 2026
Princess Evelyne Aurelia Elarion spent her life obeying the crown. To stabilize the fragile kingdom of Elarion, the king ordered her to marry Duke Cael Draven - the empire's most feared commander. Their marriage was never built on love, only duty and politics. Evelyne tried desperately to become the perfect duchess despite Cael's cold indifference and the nobles' cruel whispers. But after years of suffering, rebellion consumed the kingdom, and Evelyne was accused of treason. Abandoned by her own family and condemned as a political scapegoat, she met her end beneath falling snow - killed by her own husband. Yet death was not the end. Evelyne awakens seven years in the past, before the royal decree of marriage is announced. This time, she vows to survive. She plans to reject the forced marriage, flee the palace, and uncover the hidden conspiracy behind her death. But the more she changes fate, the more Cael Draven begins acting differently from the man she remembers. The duke who once killed her now shields her from danger. The man who never showed affection watches her with quiet regret. And buried beneath the lies of the royal court is a devastating truth: Cael may have loved her all along. Now Evelyne must decide whether to rewrite destiny... or risk falling for the man who once stained his sword with her blood.
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Yara Isaye loses her family in an accident. Two days later, she wakes up in a novel she once read, as the story's villainess, Yara Julian Isaye. Tyrannical, cruel, and unforgiving. Destined to be rejected by her own family, and the one fated to die at the hands of the Empire's most unfeeling man. She already knows how it unfolds. So she keeps her distance. She does not reach for them, does not question the role she has been given. It is easier to accept what has already been written than to hope for something else. Grief dulls everything else, whether she lives or dies no longer feels important. Until the story begins to shift. A hesitation where there should be indifference, a quiet concern that does not belong, and the man who was meant to kill her, once distant, and unmoved, no longer looks at her as he should, but with something far more difficult to name. Yara tells herself it changes nothing, because some endings are deserved. Aren't they? [Disclaimer: English isn't my first language so expect grammatical errors]

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