ROMA
- Reads 40
- Votes 13
- Parts 6
MatureOngoing28m
Last published Thu, Jul 2, 2026
Roma non appartiene agli uomini. Appartiene al tempo.
Lucio vive ai margini della città più potente del mondo, cercando di crescere da solo sua figlia dopo la morte della moglie.
Da anni convive con un dubbio che non ha mai avuto il coraggio di affrontare: e se quella morte non fosse stata un caso?
Quando un incontro inatteso lo trascina tra i segreti delle famiglie più influenti della città, Lucio scopre che alcune verità sopravvivono più a lungo degli uomini che cercano di nasconderle.
Tra vicoli affollati, intrighi politici e antiche rivalità, padre e figlia si troveranno a camminare sul confine sottile che separa la sopravvivenza dalla verità.
Perché a Roma le pietre ricordano tutto.
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بووکی دایکم
پاش ئەوەی کوڕێک لەلایەن ئەو کەسەی کە وایزانی خۆشی دەوێت ڕەتکرایەوە بە خراپی دڵی دەشکێ بۆیە بڕیار دەدات دڵی بکاتە سەهۆڵ بەندێکی ئەستوور چاوێکی کوێر لەبینینی هەر کچێ تر وە بڕیار دەدات چیتر هیچ کچێکی لا گرنگ نەبێ چی ڕوودەدات کاتێک دایکی بڕیار دەدا کچێکی خزمی دوری خۆیانی بۆ بێنێ کە عەجیب نازدا رە لەیل ~ دڵدار چیرۆکێکی کوردیە بەتەواوی بیرۆکەی خۆمە و دەست نوسی خۆمە و ئەگەر لێک چونیش هەبێ تەنها ڕێکەوتێک بووە
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၁၉၇၀ ဆီသို့ ဝိညာဉ်ကူးပြောင်းခြင်း - ဘေးကနေ စောင့်ကြည့်သူတစ်ဦး၏ ကိုယ်ကျင့်တရား
ဒုတိယမြောက်ဘာသာပြန်လေးပါ။ ဇာတ်လမ်းကတော့အခုခေတ်က မိန်းကလေးတစ်ယောက်က ဝတ္တုထဲကိုကူးပြောင်းသွားတာမျိုးဖြစ်ပါတယ်။ ဇာတ်လမ်းက ၁၉၇၀ ခုနှစ်ကိုအခြေခံထားတာမို့လို့စိတ်ဝင်စားစရာကောင်းပါတယ်။
Reborn as a Mother of Five in an Ancient Village
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Yara Isaye loses her family in an accident. Two days later, she wakes up in a novel she once read, as the story's villainess, Yara Julian Isaye. Tyrannical, cruel, and unforgiving. Destined to be rejected by her own family, and the one fated to die at the hands of the Empire's most unfeeling man. She already knows how it unfolds. So she keeps her distance. She does not reach for them, does not question the role she has been given. It is easier to accept what has already been written than to hope for something else. Grief dulls everything else, whether she lives or dies no longer feels important. Until the story begins to shift. A hesitation where there should be indifference, a quiet concern that does not belong, and the man who was meant to kill her, once distant, and unmoved, no longer looks at her as he should, but with something far more difficult to name. Yara tells herself it changes nothing, because some endings are deserved. Aren't they? [Disclaimer: English isn't my first language so expect grammatical errors]
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