Echoes Through Time
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- Parts 10
Complete Sat, Jul 4, 202629m
this story is based on the three levels and six stages of Moral Dillema by Kohlberg.
the theme is this story is about "gender equality." Let's go and come with Jazz, a historian, who will explore about it.
I'm a university student and this was supposed to be our report in our subject.
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#7
genderequality
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After sacrificing his life to save a child, former soldier and pig farmer Lin Wei expected death. Instead, he wakes up in the body of a notorious village scoundrel in an ancient world. The good news? He suddenly has a beautiful ger husband and an adorable baby ger son. The bad news? The original owner was a drunken brute who beat his husband, neglected his child, sold the family's belongings, and earned the hatred of the entire village. Furious at the original owner's actions, Lin Wei decides to change everything. Using his modern farming knowledge, military discipline, and pig-raising experience, he starts earning money, improving the family's life, and slowly winning back the trust of his frightened husband. But convincing his husband that he has truly changed may be harder than becoming the richest farmer in the county. Especially when every time Lin Wei tries to act like a caring husband, his nervous ger husband assumes he's planning something terrible. And every time he tries to discipline his baby son, he ends up spoiling him instead. Together, they build a prosperous farm, raise livestock, nurture their growing family, and discover that happiness can bloom even after the darkest beginnings. A heartwarming tale of family, romance, farming, childcare, and second chances.
TVFMTESR
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بووکی دایکم
پاش ئەوەی کوڕێک لەلایەن ئەو کەسەی کە وایزانی خۆشی دەوێت ڕەتکرایەوە بە خراپی دڵی دەشکێ بۆیە بڕیار دەدات دڵی بکاتە سەهۆڵ بەندێکی ئەستوور چاوێکی کوێر لەبینینی هەر کچێ تر وە بڕیار دەدات چیتر هیچ کچێکی لا گرنگ نەبێ چی ڕوودەدات کاتێک دایکی بڕیار دەدا کچێکی خزمی دوری خۆیانی بۆ بێنێ کە عەجیب نازدارە لەیل ~ دڵدار چیرۆکێکی کوردیە بەتەواوی بیرۆکەی خۆمە و دەست نوسی خۆمە و ئەگەر لێک چونیش هەبێ تەنها ڕێکەوتێک بووە
Reborn as a Mother of Five in an Ancient Village
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Swaran Raheel~ The Battle Of Blood Vs Crown
He was my love, but I was just his path towards the crown which he never owned. When my parents warned me he was a terrorist, I laughed. I didn't believe them. Not until he robbed his own love and left her to die in tiny deaths, moment by moment. We weren't just a few years apart in age, but miles apart in our thoughts as well. Our origins were different, our upbringings were different, we lived in different directions of the world, and yet I never let any of these cause a crack between us, until he decided to build one. REVENGE. His revenge. I was born with the title of Princess, and he was forced to become a knight. He was ready to destroy both of us in the flames of his revenge, lapping around our relationship's newly dug grave. And yet, I stood there firm, unshakable, unbreakable, indestructible, ready to see what his extent was. Because no matter what, at the edge where he ends... I begin. Our marriage didn't only gave a new direction to our relation, but it also sparked an unspoken hunger in him. I don't know why I was getting punished for something I never did. Not only did I betray the promise to my parents, but I also betrayed my every boundary for him. My love for him turned to my dedication when he gave me the only reason to hate him. He put his blade on the neck of the only one I loved the most. So, I put my blade on him, slicing off all the threads of our never budding relationship. He wanted to win it all for the Crown. So, I destroyed it all for the Blood. It was the battle of Blood vs Crown. And the winner was yet to be announced.
Yara Isaye loses her family in an accident. Two days later, she wakes up in a novel she once read, as the story's villainess, Yara Julian Isaye. Tyrannical, cruel, and unforgiving. Destined to be rejected by her own family, and the one fated to die at the hands of the Empire's most unfeeling man. She already knows how it unfolds. So she keeps her distance. She does not reach for them, does not question the role she has been given. It is easier to accept what has already been written than to hope for something else. Grief dulls everything else, whether she lives or dies no longer feels important. Until the story begins to shift. A hesitation where there should be indifference, a quiet concern that does not belong, and the man who was meant to kill her, once distant, and unmoved, no longer looks at her as he should, but with something far more difficult to name. Yara tells herself it changes nothing, because some endings are deserved. Aren't they? [Disclaimer: English isn't my first language so expect grammatical errors]
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