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Atma Bandhan (Coming later)

Atma Bandhan (Coming later)

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WpMetadataNoticeUltima pubblicazione gio, ago 13, 2026
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Narrativa
Narrativa storica
XVII secolo
Storia alternativa
Storie d'Amore
Pratap Singh - Crown Prince of the Kingdom of Mewar, he wages an unrelenting war against the Afghans and Mughals to protect his kingdom and Rajputana. Amidst the weight of this immense responsibility lies the one thing he treasures most. A girl he loves. He believed he will have to fight the world to win her, but he never imagined that the greatest battle will be against her own stubborn will. Will he win her love, or will he have to face the first true defeat of his life? Ajabde Punwar - The daughter of a small Samant of Mewar, she loses everything at a young age. When she is left with nothing, a princess from a neighbouring kingdom extends a hand, giving her a home and friendship to lean on. What will she do when the man she has always imagined as her safest haven offers her exactly that a home for real? And what will she choose when she discovers that the very friend who gave her everything also loves the same man? Phool Kanwar - The pampered princess of the Kingdom of Marwar, she has always had everything she desired. But what happens when the one thing she wants most, the love of the man she has loved all her life, can never be hers? And what will she do when she discovers that the greatest betrayal comes not from an enemy, but from the friend she trusted above all else?
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Yara Isaye loses her family in an accident. Two days later, she wakes up in a novel she once read, as the story's villainess, Yara Julian Isaye. Tyrannical, cruel, and unforgiving. Destined to be rejected by her own family, and the one fated to die at the hands of the Empire's most unfeeling man. She already knows how it unfolds. So she keeps her distance. She does not reach for them, does not question the role she has been given. It is easier to accept what has already been written than to hope for something else. Grief dulls everything else, whether she lives or dies no longer feels important. Until the story begins to shift. A hesitation where there should be indifference, a quiet concern that does not belong, and the man who was meant to kill her, once distant, and unmoved, no longer looks at her as he should, but with something far more difficult to name. Yara tells herself it changes nothing, because some endings are deserved. Aren't they? [Disclaimer: English isn't my first language so expect grammatical errors]

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