Interwine By Time (Time Travel Romance)

Interwine By Time (Time Travel Romance)

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WpMetadataReadTrưởng thànhĐang sáng tác3giờ 4phút
WpMetadataNoticeĐăng tải lần cuối Thứ 6, thg 8 21, 2026
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Đế chế cổ đại
Thần thoại và Sử thi
Avantika had been an orphan all her life. She had grown up navigating the cruelest corners of society, learning early that survival demanded courage, defiance, and a refusal to bow before those who saw vulnerability as an invitation to prey upon her. Yet, against every odds, she survived. It was desperation. In 101 BCE, a mighty king of ancient India prepares for an ancient ritual, one born from a father's final hope. Someone he loves is dying. His physicians have failed. His healers have failed. His prayers have gone unanswered. So, with nothing left to lose, the grieving king turns to a forbidden ritual said to summon a healer from another age. While in the same age another powerful King rule Bharat unaware that a neighbour King's desperation and helplessness is going to bring a havoc in his life. When the mighty king of Ujjain's life stumble with the healer from future the history will witness turns of event unexpected to one.... She will not only create chaos in his life but... She will alter the course of an entire kingdom. If you love time travel romance give it a try.
Bảo Lưu Mọi Quyền
Tham gia cộng đồng sáng tác truyện quy mô nhấtNhận đề xuất truyện được cá nhân hóa, lưu các tác phẩm yêu thích vào thư viện, đồng thời bình luận và bình chọn để phát triển cộng đồng của bạn.
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Yara Isaye loses her family in an accident. Two days later, she wakes up in a novel she once read, as the story's villainess, Yara Julian Isaye. Tyrannical, cruel, and unforgiving. Destined to be rejected by her own family, and the one fated to die at the hands of the Empire's most unfeeling man. She already knows how it unfolds. So she keeps her distance. She does not reach for them, does not question the role she has been given. It is easier to accept what has already been written than to hope for something else. Grief dulls everything else, whether she lives or dies no longer feels important. Until the story begins to shift. A hesitation where there should be indifference, a quiet concern that does not belong, and the man who was meant to kill her, once distant, and unmoved, no longer looks at her as he should, but with something far more difficult to name. Yara tells herself it changes nothing, because some endings are deserved. Aren't they? [Disclaimer: English isn't my first language so expect grammatical errors]

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