the guardian

the guardian

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WpMetadataReadMatureOngoing1h 42m
WpMetadataNoticeLast published Tue, Sep 8, 2026
WpInfo
Fiction
Historical
Mythic and Epic
War and Military
Ancient Empires
THE GUARDIAN: WORLD BEYOND THE STARS Book Description James thought the war was over. After the final battle between Heaven and Lucifer, James had been transformed into something beyond human-the Guardian. But during the chaos of the battle, the forces of Ozar were sent to Earth with one mission: capture Jane Cross. They failed. Instead, they captured James. Believing they had taken the person they were searching for, the people of Ozar carried James across the stars to a world hidden far beyond Earth. But their mistake may have awakened something far more powerful than they ever intended. On Ozar, James discovers that the Guardian is not simply a transformation, nor is it merely the result of his Nephilim blood, his resurrection, or the powers given to him. There is an ancient history surrounding the Guardian-one that reaches back thousands of years and may explain why James was brought back from death in the first place. Now James must survive on an alien world filled with ancient secrets, advanced technology, forgotten civilizations, and enemies who know more about him than he knows about himself. Separated from Jane, uncertain whether he will ever see Earth again, James must learn to control the creature within him before it controls him. Because the people of Ozar made one terrible mistake: They thought they captured Jane Cross. They captured James instead. And now... the Guardian has awakened.
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Yara Isaye loses her family in an accident. Two days later, she wakes up in a novel she once read, as the story's villainess, Yara Julian Isaye. Tyrannical, cruel, and unforgiving. Destined to be rejected by her own family, and the one fated to die at the hands of the Empire's most unfeeling man. She already knows how it unfolds. So she keeps her distance. She does not reach for them, does not question the role she has been given. It is easier to accept what has already been written than to hope for something else. Grief dulls everything else, whether she lives or dies no longer feels important. Until the story begins to shift. A hesitation where there should be indifference, a quiet concern that does not belong, and the man who was meant to kill her, once distant, and unmoved, no longer looks at her as he should, but with something far more difficult to name. Yara tells herself it changes nothing, because some endings are deserved. Aren't they? [Disclaimer: English isn't my first language so expect grammatical errors]

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