Suor Pacifica is Dead [Shortys 2026]

Suor Pacifica is Dead [Shortys 2026]

  • WpView
    Leituras 79
  • WpVote
    Votos 14
  • WpPart
    Capítulos 3
WpMetadataReadEm andamento19m
WpMetadataNoticeÚltima atualização sáb, set 5, 2026
WpInfo
Ficção
Histórico
Século XVI
Mistério
Detetive Amador
Rome, 1557. Fifteen-year-old Filomena 'the Amazon' has learned that survival in a home for abandoned girls run by nuns depends upon keeping her head down and her hands busy. When Suor Pacifica is found dead on the kitchen floor, Filomena inherits the good sister's duties and, for the first time in her life, a bed of her own and a glimpse of a future shaped by her gift for cooking. Then a mute, blood-soaked girl appears inside the walled herb garden. A trail of blood leads Filomena through Rome's fogbound streets to the reedy banks of the Tiber, where a murdered man floats beneath the shadow of Castel Sant' Angelo. The night guard is eager to accept the easiest explanation. Filomena is left with a terrified orphan whose stubborn silence conceals a dangerous truth.
Todos os Direitos Reservados
#9
rome
WpChevronRight
Junte-se a maior comunidade de histórias do mundoTenha recomendações personalizadas, guarde as suas histórias favoritas na sua biblioteca e comente e vote para expandir a sua comunidade.
Illustration

Talvez você também goste

  • The Man Destined To Kill Me Became Obsessed
  • Beyond the Horizon
  • Abhiranika ~ The Withered Princess
  • A Life Relived - Meera & Abhimaan
  • Castillo's Bride
  • Diya Veer: A love beyond centuries
  • ကူးပြောင်းသွားပြီးနောက် စားသောက်ဆိုင်ဖွင့်ရင်း ကလေးငယ်များအား ပျိုးထောင်ခြင်း
  • Vihika - "An Eternal Flame of Love"
  • The Crown Prince's Destined Bride
  • Meeti - Sarpanch's Little Wife | 18+

Yara Isaye loses her family in an accident. Two days later, she wakes up in a novel she once read, as the story's villainess, Yara Julian Isaye. Tyrannical, cruel, and unforgiving. Destined to be rejected by her own family, and the one fated to die at the hands of the Empire's most unfeeling man. She already knows how it unfolds. So she keeps her distance. She does not reach for them, does not question the role she has been given. It is easier to accept what has already been written than to hope for something else. Grief dulls everything else, whether she lives or dies no longer feels important. Until the story begins to shift. A hesitation where there should be indifference, a quiet concern that does not belong, and the man who was meant to kill her, once distant, and unmoved, no longer looks at her as he should, but with something far more difficult to name. Yara tells herself it changes nothing, because some endings are deserved. Aren't they? [Disclaimer: English isn't my first language so expect grammatical errors]

Mais detalhes
WpActionLinkDiretrizes de Conteúdo