Story cover for Capital Offence by ZaneStumpo
Capital Offence
  • WpView
    Leituras 23,504
  • WpVote
    Votos 259
  • WpPart
    Capítulos 41
  • WpHistory
    Tempo 10h 2m
  • WpView
    Leituras 23,504
  • WpVote
    Votos 259
  • WpPart
    Capítulos 41
  • WpHistory
    Tempo 10h 2m
Concluída, Primeira publicação em mar 04, 2013
Maduro
Two brothers, fired up with motorbikes, beer, women and the reckless relish of a summer night. A night which ends with the death of a policeman. As vehicles blaze Dave gives himself up so that Jamie can escape. Dave’s life spirals downwards. He disappears down south, while Jamie goes on to complete his law degree. A decade later he becomes first Prime Minister of a newly independent Scotland. Political horsetrading leads to a referendum on capital punishment. The public is shocked by a brutal sexual murder the night before the vote, and to the politicians’ horror the death penalty is reintroduced. The killer has been caught red-handed, and the hours tick by as the legal process draws closer to the time of his execution. But when the Prime Minister receives a plea for clemency he discovers that he and the killer are linked by unbreakable bonds from that summer of heedless abandon - and more than one life may be at stake….

Stupendous piece of storytelling - brilliant writing.
Massive creative energy.
Jimmy McGovern - Writer, 'Cracker', 'The Street', 'Hillsborough'
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THE EYES | TOM KAULITZ, de mechanicallbride
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21 year old Victoria Moretti, is an assassin. She is an independent woman that doesn't rely on a man to do anything. She thinks they are a waste of time and that they are egotistical or thinks highly of themselves, that all they do is sit around waiting to be laid on. The only exception she has for men is if she needs to have relationships with them for her missions. Her hatred towards men began due to her trauma that was caused by her father who abused her mother, her, and her younger sister. Victoria always hated how her father would treat the girls in the house, she never truly understood why he did the things he did but she was always to scared to question it, scared that if she would say anything her father would have an outburst of rage from the sudden question. So she never said anything she kept her mouth closed until something would change her life in a positive or negative way. But one day after one of her missions her boss called her telling they have to have a little talk over some dinner. Reluctantly she had to accept it due to it being her boss. Her boss told her she's going to have a partner due to her next mission being a difficult one and you physically can't do it only with one person. Her partner being Tom Kaulitz. She was mad at her boss because she knew that he knew about her problems with men and her background with them, but her boss simply didn't care on what she has to say since he's the one making the change. - "𝐈𝐓'𝐒 𝐈𝐍 𝐓𝐇𝐄 𝐄𝐘𝐄𝐒. 𝐀𝐋𝐖𝐀𝐘𝐒 𝐈𝐍 𝐓𝐇𝐄 𝐄𝐘𝐄𝐒" "𝐓𝐇𝐄𝐑𝐄𝐒 𝐀 𝐑𝐄𝐀𝐒𝐎𝐍 𝐖𝐇𝐘 𝐈 𝐊𝐄𝐏𝐓 𝐈𝐓 𝐀𝐋𝐋 𝐈𝐍𝐒𝐈𝐃𝐄" ____________________________________________ [𝘴𝘵𝘢𝘳𝘵𝘦𝘥: 𝘰𝘤𝘵𝘰𝘣𝘦𝘳/1/23] [𝘤𝘰𝘮𝘱𝘭𝘦𝘵𝘦𝘥: 𝘥𝘦𝘤𝘦𝘮𝘣𝘦𝘳/26/23] ____________________________________________
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From Incarcerated to In Love

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Bridger was on his way to work at the game store he worked at to pay for his college tuition when a sack was thrown over his head and he was knocked over the head by something hard. When he finally comes to, he finds he's locked in a room of some sort with his hands tied behind his back, and the same sack covering his head, leaving him blind to his surroundings. He has no recollection of how he came to be where he is, or who would even want to kidnap him...that is until the person in question walks through the door of the room in which he is being held captive and reveals himself. When he sees who it is, he is left speechless and even more confused than he was at first. Who is his captor? Does he know them? And most importantly: Why was he subject to their kidnapping? Find out in From Incarcerated to In Love! *Any and all pictures found within are not my own, and I give credit to each and every author of the respective images.*