Savage Nights
  • Reads 150
  • Votes 12
  • Parts 7
  • Time 49m
  • Reads 150
  • Votes 12
  • Parts 7
  • Time 49m
Ongoing, First published Feb 13, 2016
China Miéville writes that "[w]e need utopia, but to try to think utopia, in this world, without rage, without fury, is an indulgence we can't afford [...] we cannot think utopia without hate."

Working a new Near Future post-cyberpunk "Grunge" or "Salvagepunk" Noir: bleak and pessimistic, yet full of hope for all that.  A broken world full of our own world's dark truths, dreams, and nightmares. Schizoanalytic psychoscape of tears done up in dark humor and cataleptic laughter. An anti-hero you can hate and love at the same time. A sort of Warren Ellis Spider Jerusalem reject bound to a anti-consumerist / anti-corporate media-scape slippage. It goes against consumerist society and fights for our rights to be free from the ownership of corporations, media and society. 

Grunge is about freedom, pure and simple. It's stepping away from self-absorption and starting to care about the people around you. It's protesting against the fixation of beauty and perfection and letting us know that appearance doesn't matter. Ugly is the new beautiful.  It's realizing that happiness doesn't come from fortune and fame, rather the opposite: the guttersnipe dreams of fools and madmen, lovers and old hags, children and mothers.

The punk of salvagepunk is what makes it revolutionary. Punk is not the commodified and commercialize image of Mohawked teens with pins through noses. It is certainly not the PVC slick technological wet dream of cyberpunk with its Deleuzian 'intense' nomadic multitudes and immaterial labour. Nor is it the "false dream image" of steampunk,where "its falseness lies in it being the wrong dream image, the ideological blind that is the dream image proper to the liberal escape plan for the contemporary crisis and its envisioned fall-out". Punk is thus the "deep fidelity to its historical moment and the fact it no longer believed in a future - the present is already the hollowed out present of that future". 

  © All Rights Reserved by S.C. Hickman
All Rights Reserved
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17 parts Ongoing Mature
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Slide 1 of 10
Rats in the Pipes cover
The Wakeful Wanderer's Guide to Disillusionment cover
Akropolis cover
"Goodbye Curly Head" cover
The Rise of the Cyborgs cover
Serenade of the D.O.O.M.E.D: Re: MiX (Doom OC X The World cover
The Solution (2nd Edition) cover
Altered: Win and Team cover
NHD cover
Fallout DUST: The Novel (REVAMP ALMOST COMPLETE) cover

Rats in the Pipes

38 parts Complete

Nov. 2020 First place in the Cosmic Rose Awards Sci-FI genre. March 2019 2nd place in the GQ awards LGBTQ genre . Currently ranking #213 in Sci-fi out of over 81k stories. The earth has suffered catastrophic climate change. Ben, a dreamer with a past and a price on his head, hides in the shadows and trusts no-one until he meets Per, another man who is also a misfit. Their relationship grows as their lives become ever more precarious, until together with an orphaned small boy, they risk everything and set off on a perilous journey to find a place to call home The violence of the climate change far exceeded even the most pessimistic 21st century scenarios The idealists who built the biosphere Eden city of Esperance to protect and shelter humanity were betrayed by the super-rich Tesh Viks to whom they turned for financial help. The Tesh Viks took the view that the city and its inhabitants were to be theirs to rule absolutely, dedicated to preserving a life of luxury and comfort for the few. Under their despotic rule Esperance is crumbling. Mired in corruption and incompetence the city is beginning to fall apart. Every free citizen lives with the fear of slipping down and over the line into debt bondage and slavery. Apathy, exhaustion and fear keep people obedient. Life is regulated by the City Code that governs all aspect of dress and behaviour. Fines and punishments for non-conformity are increasingly severe but people are trapped because everyone knows life outside the City is impossible...