Krystal
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The tears of a young beautiful girl who has the hard cement walls and iron barred windows of a psychiatric hospital find themselves pouring down Krystal's face at the thought of her present situation: her stay at the ward, her overwhelming guilt, her confused and heart-wrenching emotions about herself, and her relation with the Chief of Psychiatry. Just as Krystal's state couldn't be bleaker, she finds solace in another resident of the ward; however, just when she starts to grip to hope, she and her young lover find that jealousy and the human desire for love or sex plays both the role of creator and destroyer of worlds. Krystal and her lover are soon caught up in a game as old as the human race itself; and in this game, no one is safe.
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ππ§ π°π‘π’ππ‘ π¬π‘π π¦ππ€ππ¬ π ππππ₯ π°π’ππ‘ ππ‘π πππ―π’π₯, ππ§π π©π«π¨π―ππ¬ ππ¨ ππ π°π¨π«π¬π ππ‘ππ§ ππ‘π π¦ππ§ π‘π’π¦π¬ππ₯π. . . . . . . . . . . We've all heard the tales of good and bad, the tales of innocent deceit and her hero, the tales that despite their nature, show us the beauty in contrast. But it's the tales of pure evil that get swept under the rug. The tales of deception, where cruelty is rewarded. The tales that have you questioning who the real villain of the story is. There's a simple philosophy to most thing in life; two wrongs π―π¦π·π¦π³ make a right. So what ensues when you put two of the worst kinds of people together? Loyalties transfer, lines blur, and hatred ignites complete chaos. She's cunning. ππ¦'π΄ π³πΆπ΅π©ππ¦π΄π΄. She's dangerous. ππ¦'π΄ π·πͺπ€πͺπ°πΆπ΄. She's evil. ππ¦'π΄ πΈπ°π³π΄π¦. Or so that's what we're told. The devil is always worse. But maybe, just maybe, she's the devil in disguise, playing his advocate... . . . . . . . . . . - πππ«π€ π«π¨π¦ππ§ππ - ππ§ππ¦π’ππ¬ ππ¨ π₯π¨π―ππ«π¬ - πππ«π«π’ππ π π¨π ππ¨π§π―ππ§π’ππ§ππ. -
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