Abbey Forks
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WpMetadataNoticeLast published Thu, Jan 19, 2012
Natalie Moore is a financial analyst for a large investment bank in Dallas. Her husband, Randy, is an independent landscaper and former Game Warden. Taking an impromptu vacation after being implicated in a trading scandal by her colleague and former-flame Til Latham, the Moores travel to Natalie's sleepy East Texas hometown of Abbey Forks. A forgotten hamlet on the edge of an old and imposing forest, it was a mining town and railroad stop that became little more than a truckers' refueling and shower point on the lonely rural highways of the Lone Star State. All the while, they are being stalked from the shadows by Til, who is psychotic with rage for Nat's part in implicating him in the scandal, has followed them to Abbey Forks, fueled on a meth and coke binge in the hopes of exacting his own savage revenge against her. Though quiet and seemingly safe, the town's borders and outskirts are littered with signs of missing people, and more than a few have been last known to be traveling in the area. The little truckstop town, filled with pensioners and commuting laborers, hides a dark secret and an even darker history. Legends of "beast children" and "husk people" and hulking eyeless horrors pepper the local stories and Indian Reservations myths. It is here in 'the Forks,' that just under the surface, things are slightly askew, and almost always a bit unsettling. Natalie tries to relax and forget both the stress of the depositions and the tension that has been building in her marriage to Randy. Their tension stems from the hole of non-communication gaping in a life that was once roiled in passion and marital bliss. While settling in for a week at the quaint bed and breakfast that they booked, the Moore's begin to reconnect with each other and Natalie with her roots, rediscovering old friends and old memories, but also raising new things long forgotten and bringing new questions into view: questions in regards to not just her past, but the past of the town, and area itsel
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I wrote this story from the perspective of Dakota, a version of myself navigating the chaos of my teen years. In future books in the Messy Minds series, the perspective will shift to other characters, so while the world is the same, the experiences are not my own.Dakota is a girl from a small, nameless town, trying to live the best she can while fighting her own mind and addictions. Her story runs through nights of graffiti, skinny-dipping, drinking, bonfires, and hangouts that blur together. At her core, she carries the mindset: "I'm gonna die anyways, might as well die doing things that make me feel alive rather than live feeling dead inside." Beneath those moments is a deeper battle-survival, meaning, and holding on to whatever pieces of herself she can. This book is messy, because my mind was messy when I wrote it. A lot came out while I was stoned, and that shaped not only the words but how they scatter, repeat, and circle back. Conversations repeat because life repeats. Viewer discretion is advised. What's here is depression, addiction, bipolar swings, rage, numbness, and confusion. It's the inside of a brain that didn't feel like it worked right-chaotic, sad, unpredictable, and yet searching for something solid. I say chaos a lot because it's the only word that ever fit. This is not polished. It's the voice of a bipolar, depressed teenager trying to survive, trying to explain feelings that never sat still. It also touches survival in unexpected ways-like teen pregnancy, and the fight of girls carrying an unplanned miracle while battling addiction. Ryker, the ex, is part of this story, but I don't know where he is now. I've changed, and I believe he can too. My family eventually healed. We forgave, grew, and found happiness again. This book shows the dark, but not all is dark. Chaos and mental illness can be spoken, even if not fully understood.

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