Cupid's Database ✔

Cupid's Database ✔

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WpMetadataNoticeLast published Fri, Oct 12, 2018
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Fiction
Romance
Do you wish to be set up by Cupid? Are you in a relationship that you need to break up? It's simple. Rowell Academy has it's very own Cupid, well, Cupids. One, creates matches made in heaven, the other, destroys relationships through hell; which will you receive? Follow the rules given and your wish will be granted. When Sebastian King finds himself caught in his lie, he turns to the legendary, secretive Cupid's Database of Rowell Academy to pull him to safety. Audrey Parkinson, the renowned genius daughter of the Parkinson-Evans Cooperative, has been dragged into the case as the head of the Cupid's Database. They each have their own problems, live in two completely different worlds and didn't even know each other existed. But you know what they say, love always finds a way. But will love prevail this time? [COMPLETED and currently under editing ]
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#90
cupid
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He's mythologically hot, a little bit wicked, almost 100% immortal. And he'll hit you right in the heart . . . --- Lila Black doesn't believe in matchmaking, let alone soul mates. So why is she constantly being hassled by the Cupids Matchmaking Service? But this gilded, cherub-bedecked dating agency isn't exactly what it seems . . . and it's about to turn Lila's entire world upside down. It turns out that Cupids Matchmaking is the real deal. As in, it's run by actual cupids―who don't look at all like they do in the paintings―and they have a serious problem with Lila's "match." Because this guy shouldn't be in the system. He shouldn't have a match. And while he's irresistibly hot, he's also incredibly dangerous. Because Lila's true love match is Cupid. The original bad boy of love. And he wants her. Now Lila's once-normal teenaged world has exploded into a mythological nightmare overrun by crime-lord sirens, wrathful cupid hit men, magic arrows that cause no end of trouble, and a mischievous, not-so-angelic love god she can't seem to stop herself from falling for . . .

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