80 Stories

လူယုတ်မာများအပေါ် လက်စားချေခြင်း +ရွှေလက်ချောင်း + နေ့စဉ်မိသားစုဒရာမာ + ကလေးတစ်ယောက်နဲ့ ထွက်ပြေးခြင်း + စွန့်ဦးတီထွင်မှု + ချိုမြိန်တဲ့ အချစ်ဇာတ်လမ်း မျက်လုံးဖွင့်လိုက်တဲ့အခါ လီယွဲ့ဟာ တကယ့်အမွေဆက်ခံသူမလေးတစ်ယောက် အစာငတ်ပြီးသေတော့မယ့် ဇာတ်လမ်းတစ်ပုဒ်ထဲမှာ ရောက်နေတာကို တွေ့လိုက်ရသည်။ သူမရဲ့ မိဘအရင်းတွေက သူမကို ပြန်ခေါ်လာဖို့ အစွမ်းကုန် ကြိုးစားခဲ့ကြပြီး သူတို့ရဲ့ သားငယ်အတွက် ကျောက်ကပ်လှူဒါန်းခိုင်းကြသည်။ သူ့မိဘအရင်းတွေရဲ့ ရက်စက်တဲ့မျက်နှာတွေကိုမြင်တော့ လီယွဲ့က ပြုံးပြီး သဘောတူလိုက်ပြီး အိမ်ကပိုက်ဆံနဲ့ ရိက္ခာကူပွန်တွေအားလုံးကို ယူကာ ဆင်းရဲမွဲတေမှုဆိုတာ ဘယ်လိုအဓိပ္ပာယ်ရှိလဲဆိုတာကို သူတို့ကို ခံစားစေလိုက်သည်။ ထို့နောက်တွင် စက်ရုံ၏ လုံခြုံရေးဌာနသို့ တိုင်ကြားစာတစ်စောင် ပေးပို့ခဲ့ပြီး ထိုလူယုတ်မာ၏

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A story of the life I never got to live. A life I have longed for but knew was never going to happen. I have not really thought about what this story is going to be. However, this is probably about a group of friends, plus a mother, discover secrets about Elksbark, debunks legends and come across cryptids. But in my head, I guess an evil society troubles them, and plans to take over. (Super cliche), there are going to be chapters that focus on each of the character's life, and the side character's. There will be deaths and such. You'll find that this will be very similar to Stranger Things and possibly The Owl House. You know, I often fantasize about this being a show someday. I don't recommend reading this book, this is mostly a waste of your time. Well, this is it for now,

A poem I wrote for Billie and Adrienne's 26th anniversary on July 2nd, 2020. ❤️

Dering Hills aparenta ser uma pequena cidade com poucos habitantes e nenhuma vocação para atrair turistas. Mas todos que conhecem os verdadeiros segredos de Dering Hills sabem que lá é muito mais do que isso. Cheio de criaturas sobrenaturais de todos os tipos, Dering Hills é um dos lugares mais perigosos de se viver nos dias de hoje... Mas não são dos dias de hoje vamos falar aqui. Em uma tentativa desesperada de consertar seu futuro, Thomas Foster tomou uma medida desesperada, voltando no tempo para conseguir encontrar o autor dos Diários de Dering Hills, um conjunto de três diários capazes de tornar o dono especialista em uma área do sobrenatural: O Diário do Observador, o Diário do Magista e o Diário do Cientista. Encontrando o dono dos Diários, Thomas se tornará detentor da chave que impedirá o Apocalipse. Mas existe algo que não estava em seus planos, ele não sabe como se parece o tal escritor dos Diários. Agora o viajante do tempo vai precisar se esforçar para não bagunçar ainda mais a linha do tempo, entrando em diversas aventuras com os pais de seus melhores amigos e tentando evitar o Apocalipse a qualquer custo. Mas ele precisa se lembrar de uma coisa importante: Ele não deve confiar em ninguém.

Shen Jiashu, the only son of the Shen family and the third generation of the rich, was raised by his grandmother, who taught him how to live off his parents. 　　Shen Jiashu ate and drank every day. One day, he drank too much and when he woke up, he became a person with the same name and surname as his father in the 1970s, and was also raised by his grandmother. 　　But this time, he was not so lucky to have a good father to support him. 　　Not only that, the Shen family has four sons in this generation, so he is not missing any more. 　　Shen Jiashu, who was disliked by people and could not do heavy work, endured for a few days and finally made up his mind to find a good father-in-law for himself and continue his work. 　　Shen Jiashu's famous saying: Behind every successful man there is a good father/father-in-law. 　　Tang Niannian, went to the countryside. 　　In order to prevent others from bullying her, she told everyone, "My father is the factory director." 　　Then I hid under the quilt every day and wiped away my tears secretly. 　　It's true that dad is the factory manager, but he is my stepfather. 　　The stepfather sent his daughter to the countryside for the sake of his own daughter.

Cuento negro chileno, de violencia íntima y política, donde lo cotidiano sirve de camuflaje para el horror. El relato se sitúa en un espacio doméstico mínimo -una cocina de clase trabajadora- y en un tiempo reconocible por sus marcas culturales: la radio AM, la música de los 60, los electrodomésticos nacionales, la crisis de las uvas. Todo es familiar, casi cálido, y precisamente por eso inquieta.