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The creation of Harry's House was never supposed to be Lily's problem. An eighteen-year-old prodigy and University of Florida music major, she's more interested in the physics of sound than the politics of pop stars, despite taking classes she herself could've taught years ago. But a year after her mother's death, Stevie Nicks-her mother's oldest friend-reaches out with a demand disguised as an opportunity. Stevie knows that Lily's brilliance is rotting in a dorm room, and she insists that only Lily's surgical, cold-blooded musicality can save Harry Styles' newest project from being another "polite" success.
Lily arrives in the studio as a total asshole. She is young, cocky, and entirely unimpressed by the celebrity machine. She treats Harry like a technical glitch to be fixed, mocking his reliance on vibes and calling out his vocal habits with a bluntness that borders on cruelty. To her, he isn't a heartthrob; he's a "two-chord vampire" who hides behind expensive reverb and a heartthrob persona to mask a lack of discipline.
Despite the abrasive attitude and the undeniable gap in their worlds, Harry is completely enraptured. He is surrounded by yes-men, but in Lily, he finds a mentor half his age who refuses to indulge him. Her technical mastery is undeniable-she can pick up any instrument in the room and play it better than the session musicians, and she uses that superiority to dismantle his songs until only the raw truth remains.
The story follows the volatile, high-stakes collision of their two lives. Between university lectures and high-octane recording sessions, the professional friction evolves into a problematic, magnetic obsession. It is a journey of grief, technical obsession, and the dangerous lure of a girl who is as brilliant as she is callous.