Maryshelley Stories

"Is death from life possible? Is it of essentiality? Or is it the desperation of humanity's thirst for a breakthrough of fallacies and conflicts?" -questions (un)answered excerpt from Massacred Flowers: [ "Mother- mother, why is there blood all over me?" Eliza's voice came out hard and piercing. "Who's blood is in my hands?" Desdemona all but embraced her deteriorating form of patched-up skin and criss-crossed stitches. Eliza flinched when Desdemona came in contact. And all at once, the gift of touch sent her reeling backward. Eliza felt the prick of sensation sating the emptiness she once wrapped unto herself as a symbol of coming into form. She reckoned herself born again. (This was what being birthed felt like to her ) The invasion of senses made her feel breathless. The bombarding scenes of being in the land of the living brought her to tears. She reveled in the intimacy of being a babe once again. Reborn. Yes, she was. ] 🥐🥐🥐🥐🥐🥐🥐 LORA FYM © 🔝🔝🔝 PLAGIARISM IS A CRIME!!!

Initially this was school work but I rather liked it so I thought id share it with you guys! It starts in the last of Walton's letters to his sister. I hope you guys like it!

After getting in trouble too much, Edgar allan poe is put to a new school called Nevermore. There he meets a cute mushroomcore boy named Lovecraft

Bari, named after the legendary Korean princess who journeyed to the underworld, was a K-pop trainee on the verge of breaking, not from the industry's ruthless standards, but from an incurable illness that threatened to erase her, her soulmate, and her future. At her lowest, Victor, a K-pop manager alluding to Frankenstein, offered her a desperate solution: the industry's first CRISPR-built idol, a genetically "perfected" version of Bari that would solve her problem. But was Victor a savior or something far worse? Bari had hard battles to fight. Accompanied by her friend Ji-soon and guided by a Korean Mudang-a female shaman-she traversed into her own past as a living witness to a hidden lineage she never knew she had. There, she relived the brutal, many-lives battles between good and bad Korean shaman pigs: chaotic, totemic spirits that feed on human ambition and despair. Each vision cost her a piece of her present, but also unlocked a strange inner resilience. Who was Bari? Could she debut as her true self-not a lab-made idol?

Inspired by Mary Shelley's classic.

In this post, I look at "Chapter 17" of Mary Shelley's novel within the program Voyant in order to gain a richer understanding of the text.

What if the monster refused to let his creator die? At the edge of the frozen world, Victor Frankenstein is pulled from the water between life and death. Saved by the very being he once abandoned, he is given a second life one stripped of memory, guilt, and identity. As roles reverse and creation becomes creator, the monster dares to do what Victor never could: stay. Through storms, stolen knowledge, and quiet nights by the fire, a fragile bond grows between them. But memory is never truly gone. It waits. And when it returns, it does not ask for forgiveness. The Act of Remembering is a gothic reimagining of Mary Shelley's Frankenstein, exploring responsibility, identity, and the cost of creation. This is a story about memory as punishment, love as consequence, and the terrifying question of who we become when we remember who we were.

What if Victor Frankenstein's Monster, Adam, didn't have to be evil? What if Adam met someone who would guide him into a brighter future? A short story about how Adam became good and had a Happy End

This blog post attempts to understand the themes in "Chapter 10" of Mary Shelley's novel The Last Man.

"A Wintering Place" is a sequel to Mary Shelley's novel "Frankenstein" and is set in the Siberian arctic. The story first appeared in the journal Eleven Eleven.

This is a one-chapter sequel to the novel "Frankenstein", by Mary Shelley. I wrote this for last year's English class, and I thought uploading it might interest ya'll. Enjoy! God bless!

The Year 1816, The Year Without Summer, and Mary has decided to die. She's lost her son, and the society she once thrived in has shunned her for her affair with a previously married man. She thought a summer away with her sister and other great minds would help, but they hadn't, and so Mary takes a trek through the Dark Forest, ready to end her life for good. However, Mary stumbles across a magical place, and creatures only read of in fairy tales, and a man willing to explain it all, Victor Frankenstein. Will he, the genius living in the castle, be able to help her find her way, if she even wants to go back at all. Or will Mary Shelley die like she wanted?

The Creature's first hours of life are filled with chains, fear, and a single name echoing in his skull: Victor. Then a cry in the cellar leads him to something even more helpless than himself - an abandoned baby, reaching toward him with tiny, trusting hands. For the first time, the Creature discovers tenderness. Victor Frankenstein discovers an opportunity.

This is a college paper I have submitted pertaining to Frankenstein's connections and tendencies to the LGBT community.

Inspired by Mary Shelley's Frankenstein.