Reggae Stories

Morant Bay, St. Thomas artist. As the entertainer my job is to entertains the crowd. This is my music career.

Yohohoho just some random songs that i love!

If Object Show Characters Were Musicians.

"Set against the lush backdrop of Jamaica's stunning beaches and vibrant culture, 'Island of My Heart' is a poignant love story about two young souls, Kofi and Nalani, who find each other in the midst of life's chaos. Kofi, a struggling reggae artist from Kingston, meets Nalani, a beautiful and fiery island girl from Ocho Rios, at a lively beachside festival. As they dance under the stars, their connection is undeniable. But with their different backgrounds and ambitions, their love is put to the test. Will their love be strong enough to overcome the challenges and find a way to be together, or will the island's beauty and charm be the only thing that remains with them forever?"

This is just a collection of my favourite songs atm and these are my recommendations. Read this book if you want to find out some great songs! Enjoy

A Hazbin Hotel fan fic in which Alastor begins his deep dive into the genre known as Reggae.

si te sienes injunado ven(?

21 y/o Nia is in for a run for her heart. Having been destryed by love she is determined not to let anyone else in that is until she meets an incredibly sexy and artistic French Man in the heart of The Big Apple

Eighteen year old Mabel hemphill meets her perfect match Ziggy Smith. the two fall deeply in love. But what happenes when May wakes up the next morning forgetting she is in love with Ziggy?

This book.is all about me!

Zbiór moich ulubionych (i nie tylko) piosenek! Serdecznie zapraszam!

She survived her mother's brutal conversion therapy attempt, but can an indie music producer survive her family reunion? After fourteen years away from home, she's back in Montego Bay to find out, but a romantic run-in with her ex proves she's got a lot more than mama drama to work out.

"It's for you," shouted the man behind the counter, holding the telephone handset at arm's length toward me after having answered the call. "For me?" I echoed incredulously. "But nobody even knows I'm here!" I was standing in a shop, but not just any shop. This was a record shop. I dread to calculate how many thousand hours I must have spent in record shops over the last half-century, thumbing through vinyl. It started with my first record purchase in 1968, from Dykes Records in Camberley, of the novelty single 'Cinderella Rockefella', after it was performed on The Eammon Andrews Show. In the early 1970's, my first 'job' was helping during lunch breaks in the 'Recordwise' shop opposite my school in Egham where owner Adam Gibbs paid me in vinyl rather than cash. He taught me so much about the retail end of the music industry inside his huge, well stocked record shop, while my classmates were otherwise occupied feeding their pocket money into a nearby café's pinball machines.

A nice mellow tale about Bob Marley trying to look for the Golden Ganja Weed

I blame Jesse James. Though cowboys and westerns held zero interest for me, something about the record 'Jesse James' appealed, much as an Israeli novelty song 'Cinderella Rockefella' the previous year had possessed sufficient charm to become my first ever vinyl single purchase. Now, having heard this reggae tribute to the outlaw played on 'BBC Radio One' or 'Radio Luxembourg', I placed my order at the record counter on the first floor of 'Harveys' department store in Camberley and, within a fortnight, it arrived. There was no song, merely Laurel Aitken shouting 'Jesse James rides again' with gunshot effects over an incessant rhythm. Nevertheless, I had just purchased my first reggae record [Nu Beat NB 045] and I loved it. It was 1969.

The first record played on the first week's show of the first reggae music programme on British radio was a single by Alton Ellis, a magnificent singer/songwriter too often overlooked when reggae legends are named. I immediately fell in love with his soulful voice, his perfect pitch and his beautifully clear enunciation, rushing out to buy 'La La Means I Love You' [Nu Beat NB014], unaware it was recorded two years earlier. Like many of Ellis' recordings, this was a cover version of an American soul hit (despite the label's songwriter credit), though Ellis distinguished himself from contemporaries by also writing his own 'message' songs with striking lyrics and memorable hooks. My next single purchases were noteworthy Ellis originals: