Eleven is a quiet, unsettling anomaly born from unethical psychic experimentation and exposure to something not meant for the human world. She appears fragile and childlike at first glance, but underneath that surface is a force capable of bending physics, minds, and reality itself.
Her powers manifest through extreme emotional triggers — fear, loss, and anger, in particular — and when she uses them, her nose, eyes, and ears bleed as if her body is rejecting the power she wields. Telekinesis is her most visible ability, often executed with sudden, violent efficiency, but her most terrifying gift lies in her connection to the void-like dimension she calls The Other Side — a place she never fully left.
Eleven doesn’t just move objects. She opens doors, sometimes intentionally, sometimes accidentally, allowing unseen entities to whisper through her and influence her thoughts. Some believe she is a vessel for something older and hungry; others think she is the entity, incomplete and still evolving.
Emotionally, she is a paradox — desperate for connection yet terrified of hurting those she tries to protect. She rarely speaks, choosing silence, stares, or psychic intrusion instead. When threatened, manipulated, or abandoned, she reacts with catastrophic force until the world around her mirrors the chaos inside her.
She is both weapon and warning — a frightened child with apocalyptic potential, walking the line between savior and destroyer. The more her power grows, the thinner the barrier becomes between her humanity and the eldritch presence tied to her existence.
Some fear her.
Some worship her.
Most do not understand her.
But all agree:
She is no longer just a girl.
She is the doorway — and something is waiting on the other side.