Happy eschatology

Chapter 49-50

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Happy eschatology

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Chapter 49

    Today is November 8, 2014, and we are at home in D city.

    I am practicing drawing symbols on the desk in the study room in the space. A lot of white paper was scattered on the table. I took a brush, dipped it in ink, and ran the Concentric Jue to transfer the spiritual energy in my body to the tip of the pen. Then with a wave, I drew a light charm. Looking at the talisman I just painted, I sighed, but no success. My runes are painted very standard, but they can’t be used. The patterns in the runes don’t work well.

    This is the problem with my drawing symbols now. Now I just take pictures of cats and draw tigers, and I can't find a way to incorporate aura into the drawn patterns. The talisman drawn in this way is a painting without any mana.

    I looked at the scattered papers on the desk and sighed. It seems that I have no talent for drawing symbols!

    After tidying up, all the waste papers were thrown into the trash can, and there were few white papers on the table.

    "Old ginger, there is no paper." I opened my neck and shouted outside.

    If I didn't know this, I thought I had no paper in the toilet.

    After a while, Jiang Zhi took a neat dozen of cut paper into the study. Seeing my face, I knew that I had failed to draw, so I put the paper in my hand on the table and came forward and hugged me.

    "Get tired, come over and sit down." We squeezed into the chairs and sat down, "Don't always stay in the study, practice sometimes has a long time!" Jiang Zhi disagrees with my way of learning. .

    "Do you think I'm not suitable for learning drawing symbols, why have I practiced for so long, or I can't draw a single piece?" I was very distressed and depressed. I just studied by myself, and there is no one to ask for advice.

    "Who said, how good you paint? It is said in the book that not everyone can draw such a complicated rune. Look at you, when you draw a talisman, you can do it in one stroke. They are all masters. And each picture is well drawn, exactly the same as in the book. "Jiang Zhi was afraid that I would be discouraged, and tried his best to comfort me. I know that in Jiang Zhi's mind, I really think that my paintings are the best, and I can feel Jiang Zhi's thoughts.

    "What's the use? No matter how good the painting is, it's useless paper." I said discouragedly.

    "You, you are too eager to move forward. Is it because my paper is getting better and better, you are anxious." Jiang Zhi teased me.

    "Yes, I'm afraid you think I'm stupid, think I'm useless, and dump me." I cooperated with Jiang Zhi and learned the tone in the sketch.

    Since I started practicing drawing symbols, I have been practicing with white paper. Jiang Zhi is responsible for cutting the A4 paper into 4 pieces on average. At the beginning, he used a knife to cut, and his force was uneven, and the finished paper had burrs, which were too small and uneven. I killed him for a while, and Jiang Zhi began to work hard to practice the sword technique. After several months of practice, plus the space for several years, Jiang Zhi cut the paper evenly and neatly like a paper cutter. He also practiced a unique skill, throwing white paper into the air and brushing it. Two knives cut the blank paper into the same 4 copies. This was inspired by the Hong Kong gambling king and gave me a good admiration.