When The World Is Free || Benedict Bridgerton

Chapter 4: Le Rideau Tombe Avant La Fin

Paris, September 1939

The next three days are a blur, fleeting but at once memorable, lived on borrowed time.

Knowing the inevitable is happening - that you will need to leave Paris soon - you give notice at work; so sad to have only been there for a matter of weeks rather than the planned months. On a brighter note, however, you are able to spend the days with Benedict, showing him all you have learned about art in the city in the short time you have had. Many a happy hour is spent in galleries. Both of you tripping over your words to share what you know about the art and the artists in a breathless, excited fashion. Kindred spirits in your appreciation of the works. Sometimes lost in a reverie as you stand in front of a canvas as large as your entire living room, the scale and complexity literally dumbfounding.

And, of course, a little of your heart is stolen with each moment together - the first person you have ever met who truly seems as enthused as you about the subject matter. That it's all wrapped up in that handsome face adds more complexity and confusion. You can't deny the skip in your pulse when he looks at you, weighted, a touch of reverence, so focused as you speak passionately on the subject you love. And you are certain your face is a picture of devotion as he waxes lyrical, too. You know you are getting swept up into the almost cliched romance of it all - the city of love, a handsome stranger, the no doubt impending invasion giving a sense of urgency and finality to every hour- it's a powder keg that feels dangerous as it is intoxicating.

—

Early evening of the second day, as you wander back from the Louvre, you pass by the offices of the cruise company you came to the Americas with.

"Oh! I should speak to them about swapping my return ticket," you comment, seeing the men standing outside in the smart red livery of the company, speaking in English to crowds of people inquiring about escaping France.

"See if you can move it to the day after tomorrow," Benedict counsels. "That is the day we are due to set sail. We can all go to the coast together on the train."

"That would be nice," you admit, realising it will be lovely to have someone to wave farewell to, even if there is a little stab in your chest at the idea you may never see Benedict again. Or, of course, darling Eloise.

So, a couple of hours later, after an early dinner, you are back on this same street, your ticket in hand, waiting patiently to speak to one of the young men in uniform.

"Mademoiselle?" he beckons you forward.

"Good evening. I have a ticket to New York for eleven months, hence, 12th August 1940. I am hoping I can swap to a sailing in a few days? Ideally, the day after tomorrow?"

The men exchange glances, and there seems to be a swirl of excitement as they crowd around you.

"A real ticket?" one of them pipes up, an excitement in their tone which strikes you as rather odd.

With a nod, you hand it over, and they all seem to confer, then grab a pad of tickets and transfer some details.

"Not a problem at all, Mademoiselle. Here, this is for a sailing two days hence. Thank you for travelling with us!"

They seem inordinately pleased as you walk away clutching your new ticket, a mix of emotions swirling. The finality of your time in Paris suddenly so real, the date on the newly issued ticket, ink still drying, sinking in.

—

When you push open the door to your apartment, still with a tinge of melancholy, you are taken aback by the whirlwind you encounter.