A/N: I don't own Skibidi Toilet or any of the characters on this story. This belongs to Dafuq!?Boom!
Insert Theme - Love, Pledge And The Arena by John Williams
Enjoy Reading! :))
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The aftermath of the battle is suffocating, a heavy blanket of despair weighing down on the survivors. The bodies of fallen Troop Astro Toilets are scattered across the battlefield, and the few who remain move like black shadows, tending to the dead.
The Armed Cameraman looks the area, his lens focusing on the sorrow etched on the faces of his comrades. The camera pans to the left, revealing TV Woman standing alone beside a deceased Astro Toilet. Her screen is reflecting the deep sadness she feels. Especially with Defectors destroying everything with those Astro Toilets.
She whispers to herself, "?…siht ot emoc ti did woH" (How did it come to this…?)
She thinks of Brown. He must have been wrecking his own race and the other Alliance members after getting repairs. This was her fault..If she had known..
A TV Man approaches her, his expression hardened by the relentless fight. He sees her distress, but instead of offering comfort, he snapped, "hsart sselesu tsuj er’yehT ?meht tuoba erac neve uoy od yhW" (Why do you even care about them? They’re just useless trash).
TV Woman flinches at his words but says nothing, her eyes never leaving the fallen Astro Toilet. The TV Man scoffs and teleports away without another word, leaving her to grieve alone.
The Cameraman steps forward, wanting to offer some form of solace, but before he can reach her, another TV Man shoves him back with a harsh push.
"reddof ,yaw eht fo tuO" (Out of the way, fodder). the TV Man sneers, his voice dripping with contempt. The POV-Cameraman stumbles, his circuits buzzing with a mix of anger and hurt, but he forces himself to stay calm.
A sudden transmission flickers across his visor, interrupting his thoughts. The screen fills with the image of the Large Cameraman/Armed Large Cameraman, who immediately plays footage of Large TV Man addressing a group of the remaining Alliance members inside.
"!retsaf evom ot deen uoY" (You need to move faster!) Large Tv man's voice was filled with frustration. "!niaga su dnif yeht erofeb aera siht raelc ot deen eW .meht fo eno tsal yreve, selicebmi lla er’yeht" (they’re all imbeciles, every last one of them. We need to clear this area before they find us again!")
As the transmission ends, the ground beneath them begins to shake, a deep rumble that sends a wave of dread through the Cameraman. He turns, and his lens widens in horror as a massive Dual Laser Skibidi Toilet emerges from the shadows, its lasers charging.
"Move! Now!" the Cameraman yells, desperation notieceable at his voice.
In a frantic rush, he grabs a Normal Cameraman without arms and hurls him onto the side wing of the approaching Toilet. The Toilet lets out a terrifying roar as it powers up, but the Cameraman doesn’t hesitate. He leaps onto its top, dragging two other Cameramen with him.
"Hold on tight!" one of the Cameramen cries, his voice trembling with fear.
"We can’t let it shake us off!" another Cameraman shouts, his grip tightening as the Toilet bucks and sways, trying to throw them off.
As they struggle to stay on top, the battle rages on below, the sounds of war mixing with the cries of the injured.
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The aftermath of the intense battle leaves the POV-Cameraman and his comrades shaken, but there’s no time to rest. They push forward, moving through the decimated cityscape, the once-thriving metropolis now reduced to ruins.
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Turning The World (Brown Cameraman's Arc)
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