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HE LEAVES HIS HOUSE AND GOES TO HIS FARMHOUSE. MADHAV KAKA, THE CARETAKER OF THE FARMHOUSE, ARRIVES THERE AND IS SHOCKED TO SEE KARAN SUDDENLY.

KAKA: KARAN BABA AAP YAHAN ACHANAK... MATLAB...

KAR: SAB THIK HAIN KAKA... AAP CHINTA MAT KIJIYE... BAS MANN KIYA TOH AAGAYA.... AB KUCH DIN YAHIN RAHUNGA....

KAKA: JI BABA... AAP APNE KAMRE MEIN ARAAM KARIYE... AAPKO KUCH CHAHIYE HO TOH....

KAR: AAP SOO JAIYE KAKA... BOHOT RAAT HO GYI HAIN. MUJHE KUCH CHAHIYE HOGA TOH MAIN KHUD LE LUNGA AAP PARESHAAN NA HO.

KAKA NODS AND LEAVES. KARAN ALSO GOES TO HIS ROOM. HE GOES AND SITS ON HIS BED AND THINKS ABOUT HIS ILL BEHAVIOR TOWARDS TEJU. HOW HE FORCEFULLY MARRIED HER, CALLED HER NAMES, QUESTIONED HER CHARACTER AND FOR GOD KNOWS HOW MANY TIMES, HE HAD SLAPPED HER, ABUSED HER AND EVERYTHING. HE REMEMERS THAT HE EVEN DIDN'T LET HER SLEEP ON BED. SHE USED TO SLEEP ON THE COLD FLOOR WITHOUT ANY BLANKET OR PILLOW. SO HE GETS UP FROM HIS BED AND SITS ON FLOOR.

KARAN'S POV

YEH KYA KAR DIYA MAINE? ITNA NEECHE KAISE GIRR GYA MAIN? AGAR WAYANGANKAR'S CULPRIT HOTE BHI TOH BHI MUJHE KOI HAKK NHI THA KI MAIN EK LADKI KE SAATH YEH SAB KARUN. AARU NE SAHI KAHAN AGAR KALKO KOI MERE KARMON KI SAZAA MERE PARIVAAR KO DE YAA MERI BEHEN KE SAATH WOH SAB KARE JO MAINE..... TEJ... ASSWI... KE SAATH KIYA.... TOH MAIN TOH..... MAIN YEH IMAGINE BHI NHI KAR PAA RHA HU... APNI BEHEN KE SAATH AISA HOTE HUE.... LEKIN MAINE TOH YEH KISI KE BEHEN, BETI KE SAATH KAR DIYA HAIN.... AB KYA KARUN MAIN? MAINE JO KIYA HAIN USKI KOI MAAFI NHI HAIN SIRF SAZAA HAIN SIRF SAZAA. I HOPE MUJHE KABHI MAAFI NA MILE.

POV END

KARAN SUDDENLY REMEMBERS THAT WHEN ONCE TEJU TRIED TO ESCAPE, HE HAD BEATEN HER WITH HIS LEATHER BELT SO HE REMOVED HIS BELT AND STARTED BEATING HIMSELF SO MUCH THAT NOW HE WAS IN BLOOD BUT STILL HE DIDN'T STOP AND AFTER A WHILE HE STOPS.

KAR: AAARRRGGHHH! KYA KARUN MAIN?

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ON THE OTHER HAND, TEJU IS WITH HER PRA AND TAKING CARE OF HIM. HER BROTHER IS NOW BETTER BUT STILL WEAK.

TEJU'S POV

WORST PART OF MY LIFE IS NOW OVER. I WISH MUJHE KABHI TUMHARI SHAKAL BHI NA DEKHNI PADE KARAN... NEVER...I HATE U TO THE CORE OF MY HEART.

POV END

TEJU'S MOM, AASHA CALLS HER.

TEJU: JI AAI.... ABHI AAYI.

SHE GOES TO HER MOM AND HUGS HER.

TEJU: HAAN AAI BOLO... KUCH KAAM THA?

AAI: NHI KOI KAAM NHI TU BAS MERE PAAS BAITH. TU THIK HAIN NA BACHHE... USS KARAN NE KUCH...

TEJU: AAI MAIN THIK HU... KUCH NHI HUA MUJHE... HAAN KARAN NE MUJHE BOHOT TAKLIF DI HAIN LEKIN WOH KABHI MERE NAZDIK NHI AAYA. MUJHE PHYSICALLY KABHI TOUCH KARNE KI KOSHISH NHI KI... WOH CHAHTA TOH MERE SAATH KUCH BHI KAR SAKTA THA... PAR USNE AISA NHI KIYA... BUT STILL ISSE USKE GUNAAH TOH KAM NHI HO JAYENGE.

AAI: TU AB USKE BAARE MEIN MAT SOCH.... AUR JAKAR SOJA BOHOT RAAT HO GYI HAIN....

SHE NODS AND GOES TO HER ROOM AND SLEEPS.

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NEXT MORNING

AT FARMHOUSE, KARAN WAKES UP AND SEES THAT HE SLEPT ON THE FLOOR. THIS WAS THE FIRST TIME HE SLEPT ON THE FLOOR; HE WAS ALWAYS USED TO SLEEP IN SOFT AND FLUFFY MATTRESSES AND NEVER SLEPT ON THE FLOOR.

HE GOES TO FRESH N UP AND THEN GOES DOWNSTAIRS TO SEE ALL STAFF DOING THEIR DAILY CHORES. HE WENT TO KITCHEN AND STARTS MAKING HIS TEA. HE MADE IT IN A SAME WAY WHICH HE HAD MADE IT FOR TEJU. INSTEAD OF SUGAR , HE ADDED CHILLI POWDER. STAFF WHO WAS IN KITCHEN, THEY WERE SHOCKED TO WITNESS THIS BUT NONE OF THEM HAD COURAGE TO ASK HIM BUT ONE GIRL ASKED HIM BY GATHERING SOME COURAGE.

STAFF 1: SIR AAPNE...SUGAR KI...JAGAH CHILLI...POWDER DAAL DIYA.

KAR: MUJHE PATA HAIN MAIN KYA KAR RHA HU AAP LOG CONTINUE KARO APNA KAAM.

THEY ALL NODDED IN FEAR AND CONTINUED THEIR WORK. KARAN GOES TO HALL AREA AND STARTED DRINKING HIS TEA. WHEN HE TOOK THE FIRST SIP, HIS MOUTH WAS IN FIRE. IT WAS BURNING LIKE HELL. HE WAS ABOUT TO ASK FOR WATER BUT HE REMEMBERED THAT HE DIDN'T LET HER DRINK WATER AND MADE HER BEG FOR IT SO HE DIDN'T ASK FOR WATER AND GULPS DOWN THE TEA IN ONE GO.

AFTER SOMETIME HE COULDN'T CONTROL SO HE ASKED FOR WATER. AFTER DRINKING WATER HIS MOUTH WAS AT RELIEF BUT NOT HIS HEART.

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