THREE PLAYS ***
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THREE PLAYS
THE FIDDLER'S HOUSE THE LAND THOMAS MUSKERRY
BY PADRAIC COLUM
BOSTON LITTLE, BROWN, AND COMPANY
1916
TO MY FRIEND THOMAS HUGHES KELLY THESE THREE IRISH PLAYS
_AUTHOR'S NOTE_
I have been asked to say something about the intentions and ideas that underlie the three short plays in this volume.
These plays were conceived in the early days of the Irish National Theatre. I had been one of the group that formed the National Theatre Society and I wrote plays for players who were my colleagues and my instructors; I wrote them for a small, barely-furnished stage in a small theatre; I wrote them, too, for an audience that was tremendously interested in every expression of national character. "The Land" was written to celebrate the redemption of the soil of Ireland--an event made possible by the Land Act of 1903. This event, as it represented the passing of Irish acres from an alien landlordism, was considered to be of national importance. "The Land" also dealt with a movement that ran counter to the rooting of the Celtic people in the soil--emigration--the emigration to America of the young and the fit. In "The Land" I tried to show that it was not altogether an economic necessity that was driving young men and women out of the Irish rural districts; the lack of life and the lack of freedom there had much to do with emigration.
"The Land" touched upon a typical conflict, the conflict between the individual and that which, in Ireland, has much authority, the family group. This particular conflict was shown again in "The Fiddler's House." where the life, not of the actual peasants, but of rural people with artistic and aristocratic traditions, was shown.
I tried to show the same conflict working out more tragically in the play of middle-class life, "Thomas Muskerry." Here I went above the peasant and the wandering artist and came to the official. I had intended to make plays about the merchant, the landowner, the political and the intellectual leader and so write a chapter in an Irish Human Comedy. But while I was thinking of the play that is third in this volume my connection with the National Theatre Society was broken off. "Thomas Muskerry" was produced in the Abbey Theatre after I had ceased to be a member of the group that had founded it.
PADRAIC COLUM NEW YORK _August, 1916_
_CONTENTS_
AUTHOR'S NOTE THE FIDDLER'S HOUSE THE LAND: AN AGRARIAN COMEDY IN THREE ACTS THOMAS MUSKERRY
_THE FIDDLER'S HOUSE_
_CHARACTERS_
CONN HOURICAN, a Fiddler. MAIRE (Mary) [1] HOURICAN, his daughter. ANNE HOURICAN, a younger daughter. BRIAN MACCONNELL, a younger farmer. JAMES MOYNIHAN, a farmer's son.
The action passes in the Houricans' house in the Irish Midlands.
[Footnote 1: The name is pronounced as if written "Maurya."]
ACT I
SCENE: _The interior of a farmer's cottage; the kitchen. The entrance is at the back right. To the left is the fire-place, an open hearth, with a fire of peat. There is a room door to the right, a pace below the entrance; and another room door below the fire-place. Between the room door and the entrance there is a row of wooden pegs, on which men's coats hang. Below this door is a dresser containing pretty delpht. There is a small window at back, a settle bed folded into a high bench; a small mirror hangs right of the window. A backed chair and some stools are about the hearth. A table to the right with cloth and tea things on it. The cottage looks pretty and comfortable. It is towards the close of an Autumn day_.
