NAVAJO WEAVERS ***
Produced by PM for Bureau of American Ethnology, Jeannie Howse and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
SMITHSONIAN INSTITUTION--BUREAU OF ETHNOLOGY.
NAVAJO WEAVERS.
BY
DR. WASHINGTON MATTHEWS, U.S.A.
Third Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1881-'82, Government Printing Office, Washington, 1884, pages 371-392.
ILLUSTRATIONS.
PLATE XXXIV.--Navajo woman spinning 376 XXXV.--Weaving of diamond-shaped diagonals 380 XXXVI.--Navajo woman weaving a belt 384 XXXVII.--Zuñi women weaving a belt 388 XXXVIII.--Bringing down the batten 390 FIG. 42.--Ordinary Navajo blanket loom 378 43.--Diagram showing formation of warp 379 44.--Weaving of saddle-girth 382 45.--Diagram showing arrangement of threads of the warp in the healds and on the rod 383 46.--Weaving of saddle-girth 383 47.--Diagram showing arrangement of healds in diagonal weaving 384 48.--Diagonal cloth 384 49.--Navajo blanket of the finest quality 385 50.--Navajo blankets 386 51.--Navajo blanket 386 52.--Navajo blanket 387 53.--Navajo blanket 387 54.--Part of Navajo blanket 388 55.--Part of Navajo blanket 388 56.--Diagram showing formation of warp of sash 388 57.--Section of Navajo belt 389 58.--Wooden heald of the Zuñis 389 59.--Girl weaving (from an Aztec picture) 391
NAVAJO WEAVERS.
BY DR. WASHINGTON MATTHEWS.
§ I. The art of weaving, as it exists among the Navajo Indians of New Mexico and Arizona, possesses points of great interest to the student of ethnography. It is of aboriginal origin; and while European art has undoubtedly modified it, the extent and nature of the foreign influence is easily traced. It is by no means certain, still there are many reasons for supposing, that the Navajos learned their craft from the Pueblo Indians, and that, too, since the advent of the Spaniards; yet the pupils, if such they be, far excel their masters to-day in the beauty and quality of their work. It may be safely stated that with no native tribe in America, north of the Mexican boundary, has the art of weaving been carried to greater perfection than among the Navajos, while with none in the entire continent is it less Europeanized. As in language, habits, and opinions, so in arts, the Navajos have been less influenced than their sedentary neighbors of the pueblos by the civilization of the Old World.
The superiority of the Navajo to the Pueblo work results not only from a constant advance of the weaver's art among the former, but from a constant deterioration of it among the latter. The chief cause of this deterioration is that the Pueblos find it more remunerative to buy, at least the finer _serapes_, from the Navajos, and give their time to other pursuits, than to manufacture for themselves; they are nearer the white settlements and can get better prices for their produce; they give more attention to agriculture; they have within their country, mines of turquoise which the Navajos prize, and they have no trouble in procuring whisky, which some of the Navajos prize even more than gems. Consequently, while the wilder Indian has incentives to improve his art, the more advanced has many temptations to abandon it altogether. In some pueblos the skill of the loom has been almost forgotten. A growing fondness for European clothing has also had its influence, no doubt.
§ II. Cotton, which grows well in New Mexico and Arizona, the tough fibers of yucca leaves and the fibers of other plants, the hair of different quadrupeds, and the down of birds furnished in prehistoric days the materials of textile fabrics in this country. While some of the Pueblos still weave their native cotton to a slight extent, the Navajos grow no cotton and spin nothing but the wool of the domestic sheep, which animal is, of course, of Spanish introduction, and of which the Navajos have vast herds.
YOU ARE READING
