FRIARS AND FILIPINOS.
CHAPTER I.
DON SANTIAGO'S DINNER.
In the latter part of October, Don Santiago de los Santos, popularly
known as Captain Tiago, gave a dinner. Though, contrary to his custom,
he had not announced it until the afternoon of the day on which it was
to occur, the dinner became at once the absorbing topic of conversation
in Binondo, in the other suburbs of Manila, and even in the walled
city. Captain Tiago was generally considered a most liberal man,
and his house, like his country, shut its doors to no one, whether
bent on pleasure or on the development of some new and daring scheme.
The dinner was given in the captain's house in Analoague street. The
building is of ordinary size, of the style of architecture common
to the country, and is situated on that arm of the Pasig called by
some Binondo Creek. This, like all the streams in Manila, satisfies a
multitude of needs. It serves for bathing, mortar-mixing, laundering,
fishing, means of transportation and communication, and even for
drinking water, when the Chinese water-carriers find it convenient
to use it for that purpose. Although the most important artery of
the busiest part of the town, where the roar of commerce is loudest
and traffic most congested, the stream is, for a distance of a mile,
crossed by only one wooden bridge. During six months of the year, one
end of this bridge is out of order, and the other end is impassable
during the remaining time.
The house is low and somewhat out of plumb. No one, however, knows
whether the faulty lines of the building are due to a defect in the
sight of the architect who constructed it, or whether they are the
result of earthquakes and hurricanes.
A wide staircase, with green balustrades and carpeted here and there in
spots, leads from the zaguan, or tiled entrance hall, to the second
story of the house. On either side of this staircase is a row of
flower-pots and vases, placed upon chinaware pedestals, brilliant in
coloring and fantastic in design. Upstairs, we enter a spacious hall,
which is, in these islands, called caida. This serves to-night for
the dining hall. In the middle of the room is a large table, profusely
and richly ornamented, fairly groaning under the weight of delicacies.
In direct contrast to these worldly preparations are the motley colored
religious pictures on the walls--such subjects as "Purgatory," "Hell,"
"The Last Judgment," "The Death of the Just," and "The Death of the
Sinner." Below these, in a beautiful renaissance frame, is a large,