The Voyage of the Dawn Treader by C.S. Lewis
"There was a boy called Eustace Clarence Scrubb, and he almost deserved it."
This one is just awesome. I adore some subtle humor in a book, and it's a great way to start out if you're witty enough. This short and amusing opening line tells us a lot about the character in a very short time. His name also gives an indication that he is not from the land of Narnia, but is probably from England, if this book is to be similar to the ones prior to it in the series. We know something about his age in that he is referred to as "a boy" and we know that for some reason he almost deserves such a name. So there we go, immediately introduced to a primary character of the story in an interesting way.
Pride and Prejudice
"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife. However little known the feelings or views of such a man may be on his first entering a neighborhood, this truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of some one or other of their daughters."
In a refined witty style typical of Austen, she opens with a humorous and relatable statement. It may have been a more relatable sentiment at the time it was written, but it certainly still is. Moreover, it's a foreshadowing, letting the reader know that the book is likely to be at least somewhat about a woman's obtainment of such a husband.
Because of Winn-Dixie by Kate DiCamillo
"My name is India Opal Buloni, and last summer my daddy, the preacher, sent me to the store for a box of macaroni-and-cheese, some white rice, and two tomatoes and I came back with a dog."
DiCamillo sure doesn't waste any time, huh? I love that. She introduces the protagonist, sets the scene, and presents the catalyst all her opening sentence. Just one sentence—and it's not even a run-on. What a marvel. The protagonist's name is very unique, which adds interest and makes the reader want to find out more, while the macaroni-and-cheese, white rice, and tomatoes add a comfortable familiarity and give us an idea of the setting. The fact that she comes back with a dog indicates that there is some type of story to be told. Because DiCamillo introduced the protagonist and the setting, it allows her to jump right into the action after the first sentence without the readers having to wonder what the heck is going on.
Chasing the Falconers by Gordon Korman
"It wasn't a prison.
Not technically, anyway.
No bars, cells, electrified fencing, guard towers, or razor wire.
People who drove by probably never noticed the logo of the Department of Juvenile Corrections on the mailbox that stood at the end of the long lane leading to County Road 413. To them, this sprawling property was just another farm – one of thousands of dusty puzzle pieces that covered this part of Nebraska.
Farm. Aiden Falconer winced. He hated that word. Sunnydale Farm, they called it – a name so deliberately cheerful it turned his stomach."
I should admit that I kind of have a prisoner/kidnapping/spies/mystery fetish, but I think a lot of YA readers do—at least the boys and tomboys. Is this an artistic beauty of an opening? No. But is is a successful opening? Yes, I'd say so. Why? Because it got me to read the book, even though I knew nothing about the author at the time I picked it up. It was the opening sentence alone that caused me to read the book, because in those days I would usually just stop reading the book if I wasn't entertained by the first few pages. After all, I was an action-loving YA fiction reader.
Korman introduces the protagonist, Aiden, immediately after he sets the scene, and we already know more than we think about Aiden, even though all we were told was his name. We assume he is a prisoner in this non-prison place, and can even deduce something about his age by the fact it is a juvenile corrections facility.
Saying "it wasn't a prison" causes the reader to want to ask "what is it then?" and thus read further. We are curious as to why there are no bars or other types of security; there is some mystery aroused; some irony. Is it a perfect opening? No, but Korman wasn't writing to win the Nobel prize, he was writing an action-adventure mystery book for tweens. The point is, Korman did his job: he grabbed the attention of his audience, set the scene, and introduced the protagonist without too much belaboring.
Holes by Louis Sachar
