"Sound," said I; "but, absolutely new?"
"New from spirits," returned the gentleman.
I could only repeat my rather snappish "O!" and ask if I might be favoured with the last communication.
"'A bird in the hand,'" said the gentleman, reading his last entry with great solemnity, "'is worth two in the Bosh.'"
"Truly I am of the same opinion," said I; "but shouldn't it be Bush?"
"It came to me, Bosh," returned the gentleman.
The gentleman then informed me that the spirit of Socrates had delivered this special revelation in the course of the night. "My friend, I hope you are pretty well. There are two in this railway carriage. How do you do? There are seventeen thousand four hundred and seventy-nine spirits here, but you cannot see them. Pythagoras is here. He is not at liberty to mention it, but hopes you like travelling." Galileo likewise had dropped in, with this scientific intelligence. "I am glad to see you, AMICO. COME STA? Water will freeze when it is cold enough. ADDIO!" In the course of the night, also, the following phenomena had occurred. Bishop Butler had insisted on spelling his name, "Bubler," for which offence against orthography and good manners he had been dismissed as out of temper. John Milton (suspected of wilful mystification) had repudiated the authorship of Paradise Lost, and had introduced, as joint authors of that poem, two Unknown gentlemen, respectively named Grungers and Scadgingtone. And Prince Arthur, nephew of King John of England, had described himself as tolerably comfortable in the seventh circle, where he was learning to paint on velvet, under the direction of Mrs. Trimmer and Mary Queen of Scots.
If this should meet the eye of the gentleman who favoured me with these disclosures, I trust he will excuse my confessing that the sight of the rising sun, and the contemplation of the magnificent Order of the vast Universe, made me impatient of them. In a word, I was so impatient of them, that I was mightily glad to get out at the next station, and to exchange these clouds and vapours for the free air of Heaven.
By that time it was a beautiful morning. As I walked away among such leaves as had already fallen from the golden, brown, and russet trees; and as I looked around me on the wonders of Creation, and thought of the steady, unchanging, and harmonious laws by which they are sustained; the gentleman's spiritual intercourse seemed to me as poor a piece of journey-work as ever this world saw. In which heathen state of mind, I came within view of the house, and stopped to examine it attentively.
It was a solitary house, standing in a sadly neglected garden: a pretty even square of some two acres. It was a house of about the time of George the Second; as stiff, as cold, as formal, and in as bad taste, as could possibly be desired by the most loyal admirer of the whole quartet of Georges. It was uninhabited, but had, within a year or two, been cheaply repaired to render it habitable; I say cheaply, because the work had been done in a surface manner, and was already decaying as to the paint and plaster, though the colours were fresh. A lop-sided board drooped over the garden wall, announcing that it was "to let on very reasonable terms, well furnished." It was much too closely and heavily shadowed by trees, and, in particular, there were six tall poplars before the front windows, which were excessively melancholy, and the site of which had been extremely ill chosen.
It was easy to see that it was an avoided house -- a house that was shunned by the village, to which my eye was guided by a church spire some half a mile off -- a house that nobody would take. And the natural inference was, that it had the reputation of being a haunted house.
No period within the four-and-twenty hours of day and night is so solemn to me, as the early morning. In the summer-time, I often rise very early, and repair to my room to do a day's work before breakfast, and I am always on those occasions deeply impressed by the stillness and solitude around me. Besides that there is something awful in the being surrounded by familiar faces asleep -- in the knowledge that those who are dearest to us and to whom we are dearest, are profoundly unconscious of us, in an impassive state, anticipative of that mysterious condition to which we are all tending -- the stopped life, the broken threads of yesterday, the deserted seat, the closed book, the unfinished but abandoned occupation, all are images of Death. The tranquillity of the hour is the tranquillity of Death. The colour and the chill have the same association. Even a certain air that familiar household objects take upon them when they first emerge from the shadows of the night into the morning, of being newer, and as they used to be long ago, has its counterpart in the subsidence of the worn face of maturity or age, in death, into the old youthful look. Moreover, I once saw the apparition of my father, at this hour. He was alive and well, and nothing ever came of it, but I saw him in the daylight, sitting with his back towards me, on a seat that stood beside my bed. His head was resting on his hand, and whether he was slumbering or grieving, I could not discern. Amazed to see him there, I sat up, moved my position, leaned out of bed, and watched him. As he did not move, I spoke to him more than once. As he did not move then, I became alarmed and laid my hand upon his shoulder, as I thought -- and there was no such thing.
