SIX /// Contrast ; Week One ; Pt. IV

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(.) = Monologue

(*) = Main Dialogue

(_:) = Other Dialogue

(#) = Audio File

(X) = Cease Audio File

(_____) = Section

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#2

. It's been a long while.

. You're tired as hell, and it's Thursday.

. You stood up all night, and haven't slept.

. You were just lost in thought about everything you've done so far.

. And you still don't know why you're the one who has to do all this shit.

. Still, you're getting the hang of things.

. It doesn't seem as though school is going to get in your way that much.

. You have a feeling that the time is just going to breeze by.

. Why, though?

. Maybe it's because you're too busy thinking about other shit.

. For instance, who the fuck you're going for next.

. You figured it'd be Quixote who you went for next, but....

. What can you do?

. How are you going to do it?

. You decided to toss the good boy act, and put your feet on your desk.

. You don't know what's going to happen at the end of that deadline, but....

. Things are going to go back to normal after it.

. Thank fuck.

. This shit is getting old, although you do appreciate it taking your mind off school.

. Which is like some kinda' double edged sword, cus' you actually have to pay attention.

. Balance is everything, it seems.

. You heard someone call over to you.

. Sounded like....

* What?

Dante: You look like you're thinking really hard.

* And?

Dante: So, you're telling me that "Mirror" is like....

Dante: ....Some kind of door?

Dante: Like, what?

* No, it's not like that.

* You don't actually go through her.

* She's a gate in terms of allowing people to enter the Contrast.

* You can enter either using a mirror, or the mirror in your head....

* ....But, I guess she decides if you get to go inside it.

Dante: To make sure no one fucks anything up, or something?

* I guess.

Dante: That's stupid.

* This whole shit is stupid.

* I never asked to have any of these jobs.

Dante: Funny, because you're literally the person who would want to do any of this the least.

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