Supernatural Nightmare

Three

Dean is sat on his bed reading anything and everything he can find on Freddy Krueger. He knows that in the movies, the kids of Elm Street defeated the man of nightmares by taking away the fear and weakening him to a state in which they can remove him from the dream world. This idea is solid but it would mean putting the teenagers on the street and Sarah in danger, Dean would rather find another way. Freddy has ended more than enough lives for Deans liking to put more in the firing line. "I should check up on Sarah" he thinks to himself reaching for his phone on the bed next to him. As he unlocks the screen the clock displayed reads 3:12am but Dean thinks nothing of ringing the young girl at this time in the morning as hopefully she is still awake. He calls Sarah's number and puts the phone to his ear, it's ringing with no answer.

Sam walks into the room. He's been on a coffee run and has two Starbucks takeaway cups one in each hand filled with triple espresso with as many extra shots as the women behind the counter were willing to put in. As Dean is redialling Sarah's number Sam passes him one of the cup asking "did you find anything new?"

"No nothing at all, I have a way of stopping him but I'm not happy with it." Dean starts to look worried more and more with every second the phone continues to ring. He places his coffee on the bedside table. "Who are you ringing?"

"Sarah but she's not picking up." Dean hangs up the phone and grabs his leather jacket "Stay here and find away to kill Freddy, I'm going round to she if she's OK." Dean walks out of the room and then a second later walks back in, picks up his coffee and then leaves once more. Sam picks up his laptop as he sits on his bed and starts the search.

Dean walks out of the hotel and towards the Impala to see four cuts lines carved into the drivers side from hood to trunk. "What?" Dean shouts in anger. "He can damage my car thought my dream?" He question in a statement with no one around to answer. Dean gets into the Impala and drives off towards the street.

In the backyard of Sarah's house, she is walking towards the trash cans with two bags. Sarah has left the back door open to use the light from the house to illuminate the yard. When she gets to the trash cans she puts one of the bags on the floor to free a hand to open the lid of the can. She throws the bags in one by one then closes the lid, as Sarah is walking back to the house she jumps at the sound of metal crashing to the ground and turns back to face the cans. She sees a cat running away from the over turned trash can, though the yard and out the far side. The trash cans are at the bottom of the yard next to her dads old tool shed on the left side of the path that runs central. On both sides of the path there's a grassed area and at the end a gate that leads out into the alleyway behind the house.

Sarah walks back to the trash can and picks it up off the ground. As she does she gasps at the sight of four cuts across the side of the can, knowing what made them or more who she takes off for the back door. The door slams shut just as she gets to it and Sarah starts franticly pulling at the handle but the door refuses to reopen. She stops trying and a cold chill takes over her as she claims "I'm not even sleeping."

"Is that right?" A dark voice asks from behind her so close she can feel the words touch the back of her neck. Sarah slowly turns to see Freddy standing no more than a few inches away from her. He raises his right hand and splays his knifes "time to have some fun." Sarah swiftly kicks Freddy in the groin and runs around and towards the back gate. She knows the gate is locked it always is, only to be opened when the trash is due out. She also knows there is no other way out of the yard and jumping the eight foot gate is the best chance she has of getting away. As a paranormalist and rock loving biker chick, she doesn't seem the athletic type but looks can be deceiving. Sarah gets two feet from the gate and jumps upon to it, she quickly scrabbles up and over landing in the alleyway. She takes off towards the main road without looking back.