THERE WAS NO DEBAUCH of drinking. Far from it. He found that he actually drank less. Something had changed. Trying to analyze it, he came to the conclusion that his last drunk had put him on the bottom, at the very nadir of frustrated despair. Now, unless he put himself under the ground, the only way he could go was up.
After the first few weeks of building up intense hope about the dog, it had slowly dawned on him that intense hope was not the answer and never had been. In a world of monotonous horror there could be no salvation in wild dreaming. Horror he had adjusted to. But monotony was the greater obstacle, and he realized it now, understood it at long last. And understanding it seemed to give him a sort of quiet peace, a sense of having spread all the cards on his mental table, examined them, and settled conclusively on the desired hand.
Burying the dog had not been the agony he had supposed it would be. In a way, it was almost like burying threadbare hopes and false excitements. From that day on he learned to accept the dungeon he existed in, neither seeking to escape with sudden derring-do nor beating his pate bloody on its walls.
And, thus resigned, he returned to work.
It had happened almost a year before, several days after he had put Virginia to her second and final rest.
Hollow and bleak, a sense of absolute loss in him, he was walking the streets late one afternoon, hands listless at his sides, feet shuffling with the rhythm of despair. His face mirrored nothing of the helpless agony he felt. His face was a blank.
He had wandered through the streets for hours, neither knowing nor caring where he was going. All he knew was that he couldn't return to the empty rooms of the house, couldn't look at the things they had touched and held and known with him. He couldn't look at Kathy's empty bed, at her clothes hanging still and useless in the closet, couldn't look at the bed that he and Virginia had slept in, at Virginia's clothes, her jewelry, all her perfumes on the bureau. He couldn't go near the house.
And so he walked and wandered, and he didn't know where he was when the people started milling past him, when the man caught his arm and breathed garlic in his face.
"Come, brother, come," the man said, his voice a grating rasp. He saw the man's throat moving like clammy turkey skin, the red-splotched cheeks, the feverish eyes, the black suit, unpressed, unclean. "Come and be saved, brother, saved."
Robert Neville stared at the man. He didn't understand. The man pulled him on, his fingers like skeleton fingers on Neville's arm.
"It's never too late, brother," said the man. "Salvation comes to him who... "
The last of his words were lost now in the rising murmur of sound from the great tent they were approaching. It sounded like the sea imprisoned under canvas, roaring to escape. Robert Neville tried to loose his arm.
"I don't want to--"
The man didn't hear. He pulled Neville on with him and they walked toward the waterfall of crying and stamping. The man did not let go. Robert Neville felt as if he were being dragged into a tidal wave.
"But I don't--"
The tent had swallowed him then, the ocean of shouting, stamping, hand-clapping sound engulfed him. He flinched instinctively and felt his heart begin pumping heavily. He was surrounded now by people, hundreds of them, swelling and gushing around him like waters closing in. And yelling and clapping and crying out words Robert Neville couldn't understand.
Then the cries died down and he heard the voice that stabbed through the half-light like knifing doom, that crackled and bit shrilly over the loud-speaker system.
YOU ARE READING
The Last Man On Earth
HorrorVampires are the least thing Robert should worry. Being a survivor of a plague, he must endure hard to cope being alone in a world full of darness, depression, and sadness.