I write from the interstice between myth and memory, weaving together the lost languages of the earth and the luminous dreams of creation. My works - spanning The Orchard Keeper Cycle, The Reed Singer, and The Codex of Rebecoming - form an ecological mythology of restoration, in which forests remember, rivers speak, and language itself remains alive.

Drawing upon ancient Sumerian, Celtic, and proto-biblical cosmologies, my prose unites the prehistoric sublime with the intimacy of dream. My sentences move like roots and rivers - lyrical, recursive, and alive - exploring the fall and renewal of the living world through Gaula the Orchard Keeper, Lilith the Runechild, and the long memory of Gaea herself. Each page I write is both scripture and soil: an act of re-enchantment, a ritual of re-becoming.

Blending the cadence of sacred texts with the sensual precision of mythic realism, my writing style is eco-luminous: language that breathes, mourns, and heals. The Eärédan Mythos, my grand narrative of the Apokatastasis - the returning of all things to their first, perfect measure - is not merely written about the Earth, but with her voice.