@chittaboo anyway, shout out to the prophecy, peter and the albatross, my unshakeable top 3. fortnight is a very good title and the only track where i don't mind Jack's cliche production, so long london deserved real instruments idc about how it's a call back to the reputation production i hate it, guilty as sin has great instuments but too far in the background why??? idc if ttpd is supposed to be cringe it's bad, idc if i hate it here is supposed to break our romanticized perceptions it's bad, who tf is even robin and why should i care about him, daddy i love him cassandra thank you amie who's afraid of little old me SUPREME CRINGE ugh i miss taylor "your nemesis will defeat themselves" swift, loml perfection it's the truth srry, clara bow could've been a sentence, i only acknowledge the alchemy to let people know i pretend it doesn't exist, so high school eats idc, i can fix him excellent production excellent singing style for such silly lyrics such a shame, black dog is proof that jack still has it in him but only when you snatch that damn keyboard from him, how did it end and the manuscript should've been the leading sound/theme of the album but here we are, my boy so good but where's the third chorus??? yup that's it the rest probs very forgettable but who cares who makes a 31 track album anyway