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Ursula is such a fascinatingly terrifying character because I cannot decide whether I pity her or fear her more. She has already lost her son, and it feels as though she has poured all of her grief, guilt, and need for redemption into Fernando until protecting him becomes more important than morality itself. The image of this powerful eighty-two-year-old woman quietly frying her grandson’s favorite pork belly, only to learn that he has been detained, is almost surreal. And then she simply calls Miguel and begins moving her fortune into place. That is what makes her frightening: she does not rage, she does not panic, she simply acts, because she has spent a lifetime learning how to make the world obey her.
