ℒove always wakes the dragon (Aemond x OC)

Sword & Dagger (part 2)

Lia twists the blade backward, and it stops right behind her shoulder, barely an inch away. She holds it there as she approaches the prince, staying at a safe distance. The forged metal is tinted with the blooming sundown — it's bright, sinister scarlet, and Criston gets a sinking feeling of worry, the idea of them sparring not so tempting anymore. But he hesitates for just a second too long — and then it's too late to meddle.

Aemond strikes first, not harshly but rather testing — Lia swiftly moves out of his way, without even raising her sword, and his blade almost grazes her cloak, but the material slips away in the air. The prince takes a step back, circling her as she stands, barely moving but not letting him out of sight, not shying away from him. His gaze hunts her like prey but she's hawk-eyed, and she is yet to show her claws.

Criston directs his focus to Lia in an instant. She's got good awareness of space, her stepping is correct and aligned with her rare hits, her pacing akin to a measured cadence. Using the sword in one hand gives her a longer reach — but she hardly ever initiates attacks. Instead of stopping Aemond or trying to engage, Lia dodges easily, and that behavior only serves to embolden the prince's fervor. It bothers Criston, and he furrows his brows, watching the girl closely, discerning how aloof and impassive she seems in comparison to Aemond — he's smoldering, she's stone-cold, and her movements are almost... lazy.

That's when Criston realizes: she's the one wearing the prince out, not the other way around.

It only takes Aemond a minute to draw the same conclusion, and he feels a flash of irritation in his chest. He might've underestimated Lia but he isn't used to being toyed with, and even though her face is still without expression, now her style of fighting seems taunting. The prince usually takes pride in his self-control yet he starts slowly losing it — and he hates to lose, he never does.

Aemond quickly weighs his options, chancing a glance at the yard, and a distant object catches his attention. It's a middle-sized barrel, but it's enough to slow her movements, he thinks, and once she's cornered the prince might consider mercy. He intensifies his hits, pressuring her to move further away, right into his trap, to his proclamation of victory. Aemond's chest all but puffs, his hubris blossoming. But it turns out to be disastrously premature.

Lia looks over her shoulder — and then jumps over the barrel like it wasn't ever there, barely an obstacle, or at least not for her. She gives him a look that makes him feel stupid — and Aemond is anything but. Even from a distance, Criston can feel the anger that sparkles in the prince, his shoulders tensing up and his grip on the sword tightening. He is scary when he's angry — when he allows himself to be, when the build-up emotions emerge from the darkness of his stiff restrain — Aemond doesn't hold back then, and he is scarily dangerous, dreadful, deadly.

But anger is only fuel and, shall you spill too much of it, the fire will be too hard to control — and the lack of control can be lethal when someone aims a blade at your heart. Yet it seems that what Aemond may lack, she's got plenty of, and Criston finds himself wondering if that unemotional canvas of hers is actually a facade that covers something else.

They are separated by the barrel but Lia has no intention of hiding behind it — as she goes back around, she gets rid of another restriction, hastily tossing the cloak away, and Aemond finds himself involuntarily staring at her. Her clothes are also dark: the upper garment is long-sleeved and waisted, the material of her trousers dense and fitted tightly around her thighs. It differs from everything he's seen on the ladies of the court, and she wears it like a second skin that stretches and covers every curve of her body. As Aemond's eye lingers, he lets his guard down, almost missing the moment when she hits, fast and without warning — the prince blocks it at the very last second, their swords locking at foot level, and her blade stops right at his knee.