Although he almost started a fight with Bai Yuan, Shen Mogui vaguely felt that the other party's attitude was different from before.
However, he was always too arrogant and didn't think too deeply. Since he didn't get scolded by Lin Tui today, he happily put the towel on his shoulders and went to the bathroom to take a bath while humming a song.
In the past, if he took the initiative to stir up trouble, Lin Tui would criticize him for being motivated. If it was earlier, Lin Tui would even kick him out.
The three chapters of the agreement seemed to be becoming less and less effective, which also meant that his relationship with Lin Tui was getting better and better.
Early the next morning, Shen Mogui got up on time to do morning exercises and came back with two breakfasts.
After breakfast, Lin retired to class, while Shen Mogui went to the swimming team to continue training.
In the afternoon, Shen Mogui took time to watch Lin Tui rehearse, but he didn't stay long before he was scolded back by the tough Yu Xin.
After Shen Mogui left, Yu Xin said to Lin Tui, "Don't let people you know come to watch our rehearsals in the future. It's not because I'm afraid they'll leak the secret but because you're not a mature actor yet and will be influenced by the outside world."
Lin Tui has understanding, but is not focused enough.
Every time an outsider comes it distracts him from his role.
Lin Tui nodded, "I understand."
Yu Xin rolled the script into a slender barrel, tapped it on her palm twice, called all the actors over, and began arranging the next rehearsal tasks.
She specially set aside a space for Lin Tui because she found that Lin Tui was often ashamed to reveal himself and was unwilling to express his emotions in public even when he was acting the role of others.
This is a common mistake for newcomers, and Yu Xin needs to let him open up before the performance.
But now there was a crucial scene to be arranged, so Yu Xin was not in a hurry to correct Lin Tui.
This scene is the last mass before the pope immolated himself after the hero seized the imperial power and imprisoned the pope again.
After the Mass was over and everyone had left, the Pope prayed to Jesus.
Lin Tui was wearing grand attire, his scarlet cloak fell to the ground, and light and dust fell on him.
He looked up at the hanging statue, revealing his bandaged neck. His posture seemed to be offering sacrifice, but his eyes were cold.
Yu Xin directed the lighting engineer to control the lamps behind the stained glass. The light dimmed from bright to dark, casting obscure shadows on Lin Tui's face.
Beta looked at the statue, his Adam's apple rolled twice, his eyes were empty, and his expression showed no pain.
Yu Xin asked the lighting engineer to constantly adjust the lighting angle. At that moment, she really saw the divinity in Lin Tui in the camera.
This is the aesthetics of light and shadow.
Of course, the compatibility between Lin Tui's appearance and this role is also indispensable. He is talented in acting and can play that subtle sense of detachment to the core.
The original Pope was a combination of divinity and humanity, but gradually became disappointed with the dark humanity, and he began to slowly strip away his humanity.
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