I ᗯᗩᒪKEᗪ Iᑎ TO TᕼE ᗩᖇT ᖇOOᗰ TO ᔕEE ᗩ ᖴEᗯ OTᕼEᖇ ᑭEOᑭᒪE OᑎE ᗯᗩᔕ ᗩ GᑌY TᕼᗩT ᒪOOKEᗪ EᗰO, ᗩᑎᗪ ᗯᗩᔕ ᑎOᔕE ᗪEEᑭ Iᑎ ᕼIᔕ ᑭᕼOᑎE GᗩᗰE, TᕼE GIᖇᒪ ᒪOOKEᗩᒪIKE ᔕᕼE ᔕᑭEᑎT ᗩᑎ ᗩᖴTEᖇᑎOOᑎ Oᑎ ᕼEᖇ ᗰᗩKEᑌᑭ, ᗯᗩᔕ ᒪOOKIᑎG ᗩT ᕼEᖇᔕEᒪᖴ Iᑎ ᗩ ᒪITTᒪE ᗰIᖇᖇOᖇ, TᕼE OTᕼEᖇ GIᖇᒪ I ᑕOᑌᒪᗪᑎ'T ᔕEE TᕼE ᖴᗩᑕE Oᖴ, ᗷᑌT ᔕᕼE ᗯᗩᔕ ᗯEᗩᖇIᑎG ᗩ ᒪOᑎG ᔕᒪEEᐯEᗪ GᖇEY ᗪᖇEᔕᔕ ᗯITᕼ ᒪEGGIᑎGᔕ ᑌᑎᗪEᖇ IT, ᔕᕼE ᗯᗩᔕ ᗪᖇᗩᗯIᑎG. I ᔕᗩT ᗪOᗯᑎ Oᑎ TᕼE ᔕᗩᗰE ᔕIᗪE ᗩᔕ TᕼE ᗪᗩᖇK ᑕᕼOᑕOᒪᗩTE ᗷᖇOᗯᑎ ᕼᗩIᖇEᗪ GIᖇᒪ ᗷᑌT ᗩ ᔕEᗩT ᑎOT ᑎE᙭T TO ᕼEᖇ, TᕼE ᔕEᗩT ᑎE᙭T TO TᕼE ᔕEᗩT ᑎE᙭T TO ᕼEᖇ. ᗰᔕ. ᒍᗩᑕKIᑎᔕOᑎ ᔕᑭOKE ᗩᗷOᑌT ᗪᖇᗩᗯIᑎG ᗩᑎ EᒪEᗰEᑎT Oᖴ EᗩᖇTᕼ. ᖴIᖇE, ᗯᗩTEᖇ, IᑕE, Oᖇ ᑎᗩTᑌᖇE. OᑎᒪY ᗩ ᔕEᒪEᑕT ᖴEᗯ TOOK TᕼE ᑕᕼᗩᒪᒪEᑎGE Oᖴ ᑎᗩTᑌᖇE. ᗯE ᗷOTᕼ ᗪIᗪ. OᑌT Oᖴ TᕼE ᑕOᖇᑎEᖇ Oᖴ ᗰY EYE I ᑕOᑌᒪᗪ ᔕEE ᔕᕼE ᒪOOKEᗪ ᗩT ᗰY ᑭᗩᑭEᖇ, ᕼEᖇ ᖴᗩᑕE I ᔕᗩᗯ ᕼEᖇ ᖴᗩᑕE, ᔕᕼE ᒪOOKEᗪ ᗩT ᗰY ᑭᗩᑭEᖇ ᗩᑎᗪ ᔕᗰIᒪEᗪ. ᗯOᗯ ᔕᕼE ᗯᗩᔕ ᔕTᑌᑎᑎIᑎG, ᗰᗩᖇᐯEᒪOᑌᔕ, ᗰᗩᒍEᔕTIᑕ, TᕼEᖇE ᗩᖇEᑎ'T EᑎOᑌGᕼ ᗯOᖇᗪᔕ Iᑎ TᕼE ᗪIᑕTIOᑎᗩᖇY TO ᗪEᖴIᑎE ᕼEᖇ ᗷEᗩᑌTY. I ᔕTOᒪE ᗩ ᑭEEK ᗩT ᕼEᖇ, ᗷᑌT ᔕᕼE ᑕᗩᑌGᕼT IT. " YOᑌ ᗩᖇE ᖇEᗩᒪᒪY GOOᗪ." ᔕᕼE ᔕᗩIᗪ ᕼEᖇ ᐯOIᑕE ᗯᗩᔕ ᗷEᗩᑌTIᖴᑌᒪ I ᗷEᒪIEᐯE ᔕᕼE ᗯOᑌᒪᗪ ᕼᗩᐯE ᗩ ᗯOᑎᗪEᖇᖴᑌᒪ ᔕIᑎGIᑎG ᐯOIᑕE. " T-TᕼᗩᑎKᔕ ." ᔕEᖇIOᑌᔕᒪY I ᔕTᑌᗪᗪEᖇᗪ. ᔕᕼE ᔕᗰIᒪEᗪ. I TᕼIᑎK I ᕼᗩᐯE ᗩ ᑕᖇᑌᔕᕼ. ᗰᗩYᗷE ᗰOᖇE Tᕼᗩᑎ TᕼᗩT. ᗰᔕ. ᒍᗩᑕKIᑎᔕOᑎ ᔕᗩIᗪ IT ᗯᗩᔕ OᐯEᖇ ᗩᑎᗪ TᕼE ᑕᒪᑌᗷ ᗰEᗰᗷEᖇᔕ ᖴᒪEᗪ. IᑎᑕᒪᑌᗪIᑎG, TᕼE GIᖇᒪ. ᔕᕼE ᗷᗩᔕIᑕᗩᒪᒪY ᗪIᔕᔕᗩᑭEᖇᗪ, ᐯᗩᑎIᔕᕼEᗪ, ᗪIᔕᔕOᒪᐯEᗪ. ᗯᕼEᑎ I ᒪEᖴT TᕼE ᖇOOᗰ ᗯITᕼ ᗩᒪᒪ ᗰY TᕼIᑎGᔕ ᔕᕼE ᗯᗩᔕ GOᑎE. TᕼE ᗰOᔕT ᗷEᗩᑌTIᖴᑌᒪ GIᖇᒪ I ᕼᗩᐯE EᐯEᖇ ᕼᗩᗪ TᕼE ᑕᕼᗩᑎᑕE TO ᔕEE, ᗪIᔕᔕᗩᑭEᖇᗪᗪ OᑌT Oᖴ TᕼIᑎ ᗩIᖇ.
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Romanceᵂᴴᴱᴺ ᴴᴬᵞᴰᴱᴺ ᴸᵁᶜᴷᴱᴿ ᴹᴼᵛᴱˢ ᵀᴼ ᴾᴼᴿᵀᴸᴬᴺᴰ ᴼᴿᴱᴳᴼᴺ ᴴᴱ ᶠᴬᴸᴸˢ ᴹᴬᴰᴸᵞ ᴵᴺᴸᴼᵛᴱ ᵂᴵᵀᴴ ᴺᴬᴼᴹᴵ ᴹᴬᴸˢᵀᴱᴿ, ᴮᵁᵀ ᶜᴬᴺ'ᵀ ᴳᴱᵀ ᴴᴱᴿ ᴬᵀᵀᴱᴺᵀᴵᴼᴺ ᶜᴬᴺ ᴴᴱ ˢᵁᶜᶜᴱᴱᴰ ᴵᴺ ᴴᴵˢ ᶜᴴᴬˢᴱ ᴬᶠᵀᴱᴿ ᴴᴱᴿ? ᴿᴱᴬᴰ ᴬᴺᴰ ᶠᴵᴺᴰ ᴼᵁᵀ ᴾᴸᴱᴬˢᴱ