Chapter 163 Encounter in New York

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This is definitely a side of Vincent that Leonardo has never seen before. Although "The Departed" is also a film in which the two of them collaborated together, there is no such strong sense of conflict in the antagonistic scenes.

Evan in the script has been completely exposed towards the end of the story. He is not the innocent, seductive and arrogant person he showed before. On the contrary, he is outside of the adults' plans and plays different roles in front of different people. Characters, depression and mania also correspond to different personality expressions.

Karls selected Evan as his research subject for twenty years. In turn, why was Karls not a part of Evan's plan?

When the young man with blond hair and blue eyes put down his violin, he used the bow instead of the whip to slowly draw across Karls' body, across the back, waist, hips, and chest of this man who had always been romantic and selfish, and finally reached the point where the man is most vulnerable. throat, he was wearing a dress that seemed like he could go to the opera house to perform at any time. The cold temperature on the clothing brushed against the man's skin, causing a shiver.

Just like Karls once wanted to give Evan hope but tried to withdraw all the emotions he invested. As much as Evan once loved this man, he now wants to cut off the relationship between the two.

He was like a judge from hell, using the bow in his hand as a formal instrument to pronounce judgment, and personally severed the bond between the two.

The final result was just as Carls had been expecting - a family of three was torn apart, Lance and Sarah finally ended their 20-year pretending game as a loving couple, and Evan, who had been a good baby for 20 years, officially left. This family also left his daddy-long-legs.

Until the filming was completed, Leonardo could not get out of the role. He repeatedly replayed Vincent's performance in the last period of time in his mind, and he felt increasingly unsure.

To be honest, with the exception of "The Age of Era" and "Going Forward", without exception, the roles Vincent took on were not positive, inspiring, or heroic. They were either villains or complex characters. , coupled with the current Evan who can be described as a little pervert...

Compared with simple and direct roles, complex roles are not only difficult for actors to enter and exit the play, but Leon Nadeau found that Vincent seemed to be enjoying the process.

Judging from Vincent's perspective in selecting scripts, there are probably countless unnecessary scripts thrown away from the opponent's hands. According to Vincent's basic rhythm of making three movies in two years, although there is no regular pattern yet, the basic direction chosen by the other party is already very clear.

Leonardo felt that he might have triggered some amazing switch.

He vaguely felt that his young lover must have some special hobbies, but the examples he summarized that could be used as evidence were too few. Besides, if Vincent is really like Evan, his real character is very different from what he shows, but what does it matter?

Even if the other party whips himself, Leonardo can find ways to find pleasure, let alone if the other party has any dirty little secrets? Even if it is true, he will be infinitely tolerant.

This is just Leonardo's most optimistic assumption. The problem is that the person who is causing him to be unable to act is Vincent! He was still trapped in Karls' perspective and couldn't break free. This feeling made Leonardo couldn't help but have a bad premonition -

pushing the time forward two years.

How did Heath Ledger fall in love with Vincent? Apart from the two parties involved, Leonardo has the most say in this matter. After all, the feeling of falling in love over a movie is really not just talk.

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