Professional Changes [Hayami Minato]

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Hello everyone. It's Hayami here.

You may have noticed I haven't been posting much, not even after FUTURE WORLD FES. Well, it's a long story.

I haven't updated to anyone that there's a reason why people aren't seeing me holding my violin onstage as often. Why? No worries, I'm still with Roselia, now at professional music major as we have established ourselves a place in an agency some time after achieving the dream Yukina and I made true with our fellow bandmates.

As the band progresses into the gothic rock genre professionally, we required more orchestral composition that calls the sound of what some know as the backbones of Baroque music. As one who's expertise in many instruments, this is where the band asks me the question "Would you still be onstage?". Then what kind of answer need I give back then?

You may have noticed our new album, Für immer (DE: Forever) includes more choral and Baroque elements in the instrumentals of songs like Sage der Rosen (DE: Legend of the Roses), and bigger emphasis on the strings sections in Floral Haven. Or even beforehand, Most other songs after participating in FUTURE WORLD FES projecting more of the orchestras' capabilities while none interfere with the songs themselves.

Why did it all come to that and not my violin performances onstage?

That was all because I've been given the opportunity to be promoted from band member to major orchestral composer/executive producer of Roselia. This means you may see me a little less than normal, but when I'm onstage, I'm simply playing the same way as the orchestra did. Of course, which different pitches between harpsicords and grand pianos, I had to ensure that went as needed with Rinko's help.

So for all your continuous support for Roselia, thank you for staying with us as we continue to deliver the very best music there is we offer. I would also like to thank our agency for this opportunity for me to continue contributing to the band for all time, even if I might not always be on the stage as I normally would.
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Sayo Hikawa: Thank you for your continuous work, Hayami-san! We're always grateful for your composition.

Yukina Minato: I couldn't ask for anyone better, so you deserve this position more than any of us.

Rinko Shirokane: It's always fun to work on music composition with you, Hayami-san!

Lisa Imai: We're all really proud of you! Let's keep up our work, girl!

Ako Udagawa: You're no doubt the best one for the job! Keep being cool, Hayami-senpai!

Sakiko Togawa: I'm quite new to seeing your post, nevertheless, congratulations on your newfound position as the executive composer. I'm certain you're Roselia's backbone of music as much as I've known your orchestral history.

Rui Yashiro: Warmest congratulations to you, Hayami. May your path in this field bring everlasting passion to your band.

Mashiro Kurata: Congrats on your promotion, Hayami-senpai! I hope you'll find this position as enjoyable as the music Roselia brings.

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