POETRY ***
Produced by Ted Garvin, Susan Woodring and the Online Distributed Proofreading Team.
POETRY
By
_Arthur Quiller-Couch_
"Trust in good verses then: They only shall aspire, When pyramids, as men Are lost i'the funeral fire."
As the tale is told by Plato, in the tenth book of his _Republic_, one Er the son of Arminius, a Pamphylian, was slain in battle; and ten days afterwards, when they collected the bodies for burial, his body alone showed no taint of corruption. His relatives, however, bore it off to the funeral pile; and on the twelfth day, lying there, he returned to life and told them what he had seen in the other world. Many wonders he related concerning the dead, for example, with their rewards and punishments: but most wonderful of all was the great Spindle of Necessity which he saw reaching up into heaven with the planets revolving around it in whorls of graduated width and speed, yet all concentric and so timed that all complete the full circle punctually together.--"The Spindle turns on the knees of Necessity: and on the rim of each whorl sits perched a Siren, who goes round with it, hymning a single note; the eight notes together forming one harmony."
* * * * *
The fable is a pretty one: but Er the Pamphylian comes back to report no more than the one thing Man already grasps for a certainty amid his welter of guesswork about the Universe--that its stability rests on ordered motion--that the "firmament" stands firm on a balance of active and tremendous forces somehow harmoniously composed. Theology asks "By _whom_?": Philosophy inclines rather to guess "_How?_" Natural Science, allowing that these questions are probably unanswerable, contents itself with mapping and measuring what it can of the various forces. But all agree about the harmony: and when a Newton discovers a single rule of it for us, he but makes our assurance surer.
For uncounted centuries before ever hearing of "Gravitation" men knew of the sun that he rose and set at hours which, though mysteriously appointed, could be accurately predicted; of the moon that she regularly waxed and waned, drawing the waters of the earth in a flow and ebb, the gauge of which and the time-table could be advertised beforehand in the almanack; of the stars, that they swung as by clockwork around the pole. Says the son of Sirach concerning them--
_At the word of the Holy one they will stand in due order, And they will not faint in their watches._
So evident is this celestial harmony that men, seeking to account for it by what was most harmonious in themselves or in their experience, supposed an actual Music of the Spheres inaudible to mortals; Plato (who learned of Pythagoras) inventing his Octave of Sirens, spinning in the whorls of the great planets and intoning as they spin; Chaucer (who learned of Dante and makes the spheres nine) in his _Parliament of Foules_ telling, out of Cicero's _Somnium Scipionis_, how the great Scipio Africanus visited his descendant in a dream and--
_Shewed he him the litel erthe, that heer is, In regard of the hevenes quantité: And after shewed he him the nynè sperés, And after that the melodye herde he That cometh of thilke sperés thryés-three That welle is of musicke and melodye In this world heer, and cause of armonye._
While Shakespeare in the last Act of _The Merchant of Venice_ makes all the stars vocal, and not the planets only:
_There's not the smallest orb which thou beholdest But in his motion like an angel sings, Still quiring to the young-eyed cherubims..._
And Milton in _Arcades_ goes straight back to Plato (save that his spheres are nine, as with Chaucer):
_then listen I To the celestial Sirens' harmony That sit upon the nine enfolded spheres And sing to those that hold the vital shears And turn the adamantine spindle round Of which the fate of gods and men is wound. Such sweet compulsion doth in music lie To lull the daughters of Necessity, And keep unsteady Nature to her law, And the low world in measured motion draw After the heavenly tune._
