Blood of A Rose

The brush stroked gracefully along the canvas, a symphony of strings playing in the background as she worked. A multitude of shades of red took precedence over the piece, hints of yellow and skin tones sprinkled in where she thought was necessary.

She cleaned off her brush and took a step back, admiring her newest work, eyeing it for flaws or hints of emptiness. When she found none she smiled to herself, untying her apron and leaving to enter the house to wash herself clean of any unwanted paint that caught her skin.

She turned on the faucet, pumping soap into her hands and began to scrub. She watched as the red began to drain down the sink, sighing in delight at the sight of it.

(Y/n) had always been captivated by the concept of death. Not in the way people feared or avoided it, but in the way she saw its eerie elegance. Growing up in a household that celebrated perfection and the beauty of life, her fascination with decay and the passage of time was met with silence, sometimes disgust.

As a child, she'd spend hours sketching wilted flowers or photographing the abandoned cemetery near their house. Sometimes she found dead animals which was always a treat for her. She found beauty where others saw only ruin and death. Her parents had tried to correct her, and her teachers had labeled her work disturbing. But (y/n) remained drawn to the delicate balance between life and death.

As she grew older, the fascination deepened, and she poured it into her art. Her paintings had always included blood in one way or another, whether it was an aging object, haunted landscapes, or human forms twisted in the stillness of death. On the other hand, her photographs captured the fleeting beauty of nature's quiet end. The decay of a flower, the pale tranquility of a body.

However, the world around her wasn't ready for her vision. Critics were quick to brand her work as grotesque, calling it an abomination, and galleries refused to showcase her art. News articles labeled her as disturbed, questioning her mental health rather than her talent.

But for (y/n), it was never about horror. She saw beauty in the inevitability of death, in the idea that all things must come to an end. To her, it was a reminder of the fragility of existence and the raw, unfiltered truth of the world. Yet, each harsh critique was another nail in the coffin of her confidence, driving her further into herself.

She became more reserved, speaking less in public, avoiding eye contact at exhibitions - if she even attended. She longed to defend her work, but the voices of her critics echoed in her mind, silencing her before she could even begin.

Despite the noise, (y/n) still clung to her vision, working tirelessly in the small, dimly lit studio that was the garage of the small house she currently rented. Surrounded by the eerie stillness of her creations.

She began to change into something more fitting for the colder October weather, slipping on a coat to bury her hands in and walking into the crisp autumn air. As her feet tapped through the night's atmosphere, she closed her eyes for a moment, the smell of the dying trees and asphalt sending a pleasant shiver down her spine.

She didn't live far from the heart of Miles County, quickly reaching it and taking joy in the quietness of it all compared to the usual bustling energy during the day that she preferred to avoid.

She passed a display lined and stacked with TVs, some of them turned on and broadcasting different channels.

"- another piece was released just days ago with another overwhelming amount of negativity -"

She stopped promptly, turning her head towards one of the TVs closest to her and seeing a portrait of herself display.

"Be advised, the image is disturbing."