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YOU CALL THAT A SUCCESSFULMISSION? NOTHING BLEW UP! THE ONLY THING I'D CALL THAT IS BORING.
enzo has only one goal: to set off every explosive he makes. he sees no reason in making something if it's not used as intended. why make a bomb if you're never going to make it explode? there is no reason behind that, only wasted time. enzo kept things small at the start of it all. experimented for years in the safety of his own isolation. secluded from the world – with no intentions of stepping out into the open.
then he was offered a position in which would allow him to further improve his current inventions. to produce a larger outcome, a more destructive ending. it seemed too good of an offer to decline. enzo had only one objective, and this would fulfill that, so he accepted.
he had never actually considered using his work against anyone. he may have been strange enough to enjoy the process of making bombs but he had never made one with the thought of hurting someone.
even after he joined alongside what was, undoubtedly, a terrorist group – his creations were never formed with the want to end a life. his sole want was still to see the finale too what he considered his art.
when they did start being used to harm, he didn't care. the death of others were nothing he concerned himself with, nothing he cared to. they were variables, merely part of the outcome. enzo never had an issue with acknowledging the consequences to his actions, even if they progressively become vile.
when the group was eventually caught, the only thing he mourned were his abandoned works. he held no loyalty to the people he followed, only obeyed since they allowed him to do as he pleased.
after an interrogation, one he still found irritating, he was hired by the cia. hired was too nice of a word – forced, coerced, manipulated, etc.
once more, he didn't care. he would allow others to control him if he got what he wanted in the end. rather his work was being used for good or evil didn't matter to him. here he had less freedom but more access to supplies. a loss he would freely give up in the face of refining his craft.
he let them cuff him, chip him, watch, study, order, belittle – treat him as a dog, humanity disregard.
the treatment towards his own being had never been of concern to him. everything he made was always treated with care, he was allowed to witness everything be used – rather that be in person or through a recording, and he was never left with the gnawing dissatisfaction of something left unfinished.
he wasn't a good person, sanity was never something he desired, and he was a mere dog for the government.
every end to a countdown was enough to make up for any negative that could be considered.