The library looked tranquil enough as I entered it, and the Sibyl—if Sibyl she were—was seated snugly enough in an easy-chair at the chimney-corner. She had on a red cloak and a black bonnet: or rather, a broad-brimmed gipsy hat, tied down with a striped handkerchief under her chin. An extinguished candle stood on the table; she was bending over the fire, and seemed reading in a little black book, like a prayer-book, by the light of the blaze: she muttered the words to herself, as most old women do, while she read; she did not desist immediately on my entrance: it appeared she wished to finish a paragraph.
I stood on the rug and warmed my hands, which were rather cold with sitting at a distance from the drawing-room fire. I felt now as composed as ever I did in my life: there was nothing indeed in the gipsy’s appearance to trouble one’s calm. She shut her book and slowly looked up; her hat-brim partially shaded her face, yet I could see, as she raised it, that it was a strange one. It looked all brown and black: elf-locks bristled out from beneath a white band which passed under her chin, and came half over her cheeks, or rather jaws: her eye confronted me at once, with a bold and direct gaze.
“Well, and you want your fortune told?” she said, in a voice as decided as her glance, as harsh as her features.
“I don’t care about it, mother; you may please yourself: but I ought to warn you, I have no faith.”
“It’s like your impudence to say so: I expected it of you; I heard it in your step as you crossed the threshold.”
“Did you? You’ve a quick ear.”
“I have; and a quick eye and a quick brain.”
“You need them all in your trade.”
“I do; especially when I’ve customers like you to deal with. Why don’t you tremble?”
“I’m not cold.”
“Why don’t you turn pale?”
“I am not sick.”
“Why don’t you consult my art?”
“I’m not silly.”
The old crone “nichered” a laugh under her bonnet and bandage; she then drew out a short black pipe, and lighting it began to smoke. Having indulged a while in this sedative, she raised her bent body, took the pipe from her lips, and while gazing steadily at the fire, said very deliberately—“You are cold; you are sick; and you are silly.”
“Prove it,” I rejoined.
“I will, in few words. You are cold, because you are alone: no contact strikes the fire from you that is in you. You are sick; because the best of feelings, the highest and the sweetest given to man, keeps far away from you. You are silly, because, suffer as you may, you will not beckon it to approach, nor will you stir one step to meet it where it waits you.”
She again put her short black pipe to her lips, and renewed her smoking with vigour.
“You might say all that to almost any one who you knew lived as a solitary dependent in a great house.”
“I might say it to almost any one: but would it be true of almost any one?”
“In my circumstances.”
“Yes; just so, in your circumstances: but find me another precisely placed as you are.”
“It would be easy to find you thousands.”
“You could scarcely find me one. If you knew it, you are peculiarly situated: very near happiness; yes, within reach of it. The materials are all prepared; there only wants a movement to combine them. Chance laid them somewhat apart; let them be once approached and bliss results.”
YOU ARE READING
Jane Eyre (1847)
Classics"Jane Eyre" follows the emotions and experiences of its eponymous character, including her growth to adulthood, and her love for Mr. Rochester, the byronic master of fictitious Thornfield Hall.
