I dream I'm walking through the grocery store. Look there's a sale on Mean Girls! Jocks are buy one, get one free. Someone's come out with a brand new product. It's the Talent Show with a Sad Backstory and it comes in two flavours. I'm trying to decide whether to risk it when I wake up.
It would certainly be easier if we could buy our characters ready made and needing just a bit of a warm up to be ready for our story. But if our characters are pre-cut and wrapped for us, what is left for us to do? There's no room for them to grow. A Mean Girl #4 with the option to repent at the end of the story will only do what she is programmed to do.
There are sites on the web that help you get to know your characters. You fill out questionaires about them. What do they like? What's their hair colour? What' the size of their...oops better leave that one out it's going to be a G rated story so it's not like they're going to get to use it. This is useful as a first introduction to your character. Kind of Match.com for characters and writers. But it only goes so far and then the age old question makes itself heard. Where do we go from here?
So we have a Biker who has blue eyes, red hair, listens to Paul Anka and cries during Little House on the Prairie reruns. But how is he going to react when you spill your latte grande on his leather pants? Even harder, what kind of dialogue can he have with the Emo girl who listens to Evanescence, has blue hair and red airs and laughs all the way through Nightmare on Elm Street?
Let's leave the quiz for a moment. Think about your best friend. What's the first thing that comes to mind. I'll bet you that it is not their hair colour/eye colour, what they wear, or how big their... oops still G rated. The first thing you thing of is probably a story. Maybe about the time you water ballooned your brother, or you got lost in the mall. When we think about people we know. We attach more importance to shared experience than we do to physical attributes. Sure we might be able to describe them to the police if they're still lost in the mall, but when we're talking about them with other friends, it is the stories that we tell.
So, back to the characters in the stories that we are writing. If we only think of them in terms of their physical characteristics and personality traits, they will come out flat and uninteresting. Creating a character is about more than following a recipe. We need to hear their stories. Why does Biker dude like Paul Anka? What the reason for the tears during reruns? Why is Emo girl hiding behind those red contacts? If we want them to talk we need to create a reason for them to have a conversation. We create a story that they will tell about each other. As their relationship develops the collection of common stories grows. We don't have to put them all in our writing, but we need to know that they are there.
The funny thing is once we start listening to the stories behind our stories, characters become pretty easy. They become organic and rounded. They do odd things and go in strange directions. People who read our stories don't feel that the characters are just pieces being moved on a board. They get interested in what is happening to these people. They root for them and they want them to succeed. Once you have your reader fully engaged with your characters, you have them hooked.
Character development is the next logical step. They learn from their experiences, just like we do. Ask yourself what you would learn if you went through what your characters had to. Then apply that insight to the way the character acts, talks and thinks. Now, not only are your characters three dimensional, but they grow.
So if the dream at the start was your character's, why are they dreaming about cardboard people? What is going on that put them in that dream and not a different one? What are they going to learn from this dream.
And if this is a grocery store, where are the mangos?
