Chapter 2

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I

"NEW MOON,

"NOVEMBER 18, 19--

"To-day the December number of Marchwood's came with my verses Flying Gold in it. I consider the occasion worthy of mention in my diary because they were given a whole page to themselves and illustrated--the first time ever any poem of mine was so honoured. It is trashy enough in itself, I suppose--Mr. Carpenter only sniffed when I read it to him and refused to make any comment whatever on it. Mr. Carpenter never 'damns with faint praise' but he can damn with silence in a most smashing manner. But my poem looked so dignified that a careless reader might fancy there was something in it. Blessings on the good editor who was inspired to have it illustrated. He has bolstered up my self-respect considerably.

"But I did not care overmuch for the illustration itself. The artist did not catch my meaning at all. Teddy would have done better.

"Teddy is doing splendidly at the School of Design. And Vega shines brilliantly every night. I wonder if he really does always think of me when he sees it. Or if he ever does see it. Perhaps the electric lights of Montreal blot it out. He seems to see a good bit of Ilse. It's awfully nice for them to know each other in that big city of strangers."




II

"NOVEMBER 26, 19--

"To-day was a glamorous November afternoon--summer-mild and autumn-sweet. I sat and read a long while in the pond burying-ground. Aunt Elizabeth thinks this a most gruesome place to sit in and tells Aunt Laura that she is afraid there's a morbid streak in me. I can't see anything morbid about it. It's a beautiful spot where wild, sweet odours are always coming across Blair Water on the wandering winds. And so quiet and peaceful, with the old graves all about me--little green hillocks with small frosted ferns sprinkled over them. Men and women of my house are lying there. Men and women who had been victorious--men and women who had been defeated--and their victory and defeat are now one. I never can feel either much exalted or much depressed there. The sting and the tang alike go out of things. I like the old, old red sandstone slabs, especially the one for Mary Murray with its 'Here I Stay'--the inscription into which her husband put all the concealed venom of a lifetime. His grave is right beside hers and I feel sure they have forgiven each other long ago. And perhaps they come back sometimes in the dark o' the moon and look at the inscription and laugh at it. It is growing a little dim with tiny lichens. Cousin Jimmy has given up scraping them away. Some day they will overgrow it so that it will be nothing but a green-and-red-and-silver smear on the old red stone."

"DEC. 20, 19--

"Something nice happened to-day. I feel pleasantly exhilarated. Madison's took my story, A Flaw in the Indictment!!!! Yes, it deserves some exclamation-points after it to a certainty. If it were not for Mr. Carpenter I would write it in italics. Italics! Nay, I'd use capitals. It is very hard to get in there. Don't I know! Haven't I tried repeatedly and gained nothing for my pains but a harvest of 'we-regrets?' And at last it has opened its doors to me. To be in Madison'sis a clear and unmistakable sign that you're getting somewhere on the Alpine path. The dear editor was kind enough to say it was a charming story.

"Nice man!

"He sent me a cheque for fifty dollars. I'll soon be able to begin to repay Aunt Ruth and Uncle Wallace what they spent on me in Shrewsbury. Aunt Elizabeth as usual looked at the cheque suspiciously but for the first time forebore to wonder if the bank would really cash it. Aunt Laura's beautiful blue eyes beamed with pride. Aunt Laura's eyes really do beam. She is one of the Victorians. Edwardian eyes glitter and sparkle and allure but they never beam. And somehow I do like beaming eyes--especially when they beam over my success.

Emily's Quest (1927)Where stories live. Discover now