HETTY and Dinah both slept in the second story, in rooms adjoining each other, meagrely furnished rooms, with no blinds to shut out the light, which was now beginning to gather new strength from the rising of the moon—more than enough strength to enable Hetty to move about and undress with perfect comfort. She could see quite well the pegs in the old painted linen-press on which she hung her hat and gown; she could see the head of every pin on her red cloth pin-cushion; she could see a reflection of herself in the old-fashioned looking-glass, quite as distinct as was needful, considering that she had only to brush her hair and put on her night-cap. A queer old looking-glass! Hetty got into an ill temper with it almost every time she dressed. It had been considered a handsome glass in its day, and had probably been bought into the Poyser family a quarter of a century before, at a sale of genteel household furniture. Even now an auctioneer could say something for it: it had a great deal of tarnished gilding about it; it had a firm mahogany base, well supplied with drawers, which opened with a decided jerk and sent the contents leaping out from the farthest corners, without giving you the trouble of reaching them; above all, it had a brass candle-socket on each side, which would give it an aristocratic air to the very last. But Hetty objected to it because it had numerous dim blotches sprinkled over the mirror, which no rubbing would remove, and because, instead of swinging backwards and forwards, it was fixed in an upright position, so that she could only get one good view of her head and neck, and that was to be had only by sitting down on a low chair before her dressing-table. And the dressing-table was no dressing-table at all, but a small old chest of drawers, the most awkward thing in the world to sit down before, for the big brass handles quite hurt her knees, and she couldn't get near the glass at all comfortably. But devout worshippers never allow inconveniences to prevent them from performing their religious rites, and Hetty this evening was more bent on her peculiar form of worship than usual.
Having taken off her gown and white kerchief, she drew a key from the large pocket that hung outside her petticoat, and, unlocking one of the lower drawers in the chest, reached from it two short bits of wax candle—secretly bought at Treddleston—and stuck them in the two brass sockets. Then she drew forth a bundle of matches and lighted the candles; and last of all, a small red-framed shilling looking-glass, without blotches. It was into this small glass that she chose to look first after seating herself. She looked into it, smiling and turning her head on one side, for a minute, then laid it down and took out her brush and comb from an upper drawer. She was going to let down her hair, and make herself look like that picture of a lady in Miss Lydia Donnithorne's dressing-room. It was soon done, and the dark hyacinthine curves fell on her neck. It was not heavy, massive, merely rippling hair, but soft and silken, running at every opportunity into delicate rings. But she pushed it all backward to look like the picture, and form a dark curtain, throwing into relief her round white neck. Then she put down her brush and comb and looked at herself, folding her arms before her, still like the picture. Even the old mottled glass couldn't help sending back a lovely image, none the less lovely because Hetty's stays were not of white satin—such as I feel sure heroines must generally wear—but of a dark greenish cotton texture.
Oh yes! She was very pretty. Captain Donnithorne thought so. Prettier than anybody about Hayslope—prettier than any of the ladies she had ever seen visiting at the Chase—indeed it seemed fine ladies were rather old and ugly—and prettier than Miss Bacon, the miller's daughter, who was called the beauty of Treddleston. And Hetty looked at herself to-night with quite a different sensation from what she had ever felt before; there was an invisible spectator whose eye rested on her like morning on the flowers. His soft voice was saying over and over again those pretty things she had heard in the wood; his arm was round her, and the delicate rose-scent of his hair was with her still. The vainest woman is never thoroughly conscious of her own beauty till she is loved by the man who sets her own passion vibrating in return.
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ADAM BEDE (Completed)
ClassiquesAdam Bede, the first novel written by George Eliot (the pen name of Mary Ann Evans), was published in 1859. It was published pseudonymously, even though Evans was a well-published and highly respected scholar of her time. The novel has remained in p...
