Mesoamerican قصص

~Authored by Owen Russell~ ~Respectfully Co-Authored by AriasWinter~ In the land of Merciless Tribals, Sarach Milpa's family is honored as Nobility because her father is one of the best Ulama players. But Tetatzin Milpa is near Death. And when he goes, so does his family. It was the fate that little Sarach has no chance at Survival. Humiliated, Ashamed, and Shunned, Sarach sets out on a journey to the fabled, faraway home of a legendary fire god to beg for inhuman powers to save her father from the sacrificial blade. She must take with her a slave, named Yoltlamatqui Tlacoti, to be sacrificed to the god. It will be a dark and brutal journey filled with lynch mobs, suicidal cults, terrible monsters, and worse, Monstrous men. But to Sarach, the risk is all worth it. To procure honor... To wield divine power To become the one and only. The Bloodless Girl. {Inspired by Ancient Mesoamerican Culture and Darren Shan's The Thin Executioner, Owen Russell, and Arias Winter takes readers into a Spine-chilling journey, in a Nightmarish world where Compassion and Kindness are the greatest crimes of all}

I started this story as a break from my main manuscript - but it got away from me. Set in a world where Mesoamerican and Japanese-inspired cultures collide, this tale explores what happens when two civilizations with utterly different ideas of purity, sin, and sacrifice meet. Expect ancient gods, forbidden magic, and a world drenched in blood, beauty, and belief. It began as an experiment, but I'm too hooked to stop. Welcome to Sinborn.

This short story narrative prose poem draws inspiration from Mesoamerican mythology and the experiences of ostracized children. While I am not Indigenous myself, I wrote this piece to reflect the pain of being othered and the tragic consequences of scapegoating, something I relate to as a transgender person and I believe has repeated itself on a global level throughout human history. I drew from Mesoamerican mythology not to speak on behalf of Indigenous people, but to honor the power of storytelling that cultures like the Maya used to explain injustice, suffering, and resilience. Though I am not Indigenous, I see echoes of my own story in these mythic frameworks

This essay gives a critical examination on the popular myth that the Mesoamerican and Egyptian people had help from extraterrestrial beings in the construction of these ancient civilizations. Since I have created this essay in a short amount of time, there might be some errors in grammar and spelling. This essay is available to the public domain for anyone else to improve on or refer too

Miraculous adventures await as Max and his dementor companion go through time rescuing children and animals from the corrupted and deadly world that once was their home. Of course, there is more than just one type of danger that is common among Earth and the Transformers aren't the only ones who deal with them.

A current section of my story, It's a draft. Set in an ancient Mesoamerica world. Filled with rich worldbuilding. Wanting useful feedback and things you liked.

It was an ordinary day for the 2 siblings Kaimen and Anani, as they hunt in the nearby Islands of Xaymaca until that is an uncanny boy named Awan came crashing on one of their Islands unintentionally, not knowing faith was at work. A few hours of knowing each other would come to knowing too much, later on discovering Awan is no ordinary boy, but a long lost demigod, in search of bettering himself, and to find a way to bring peace to the world. Join Awan, Anani, and Kaimen and their trusty mountain lion eagle Akui, on a journey full of war, friendship, and obstacles, as they find ways for Awan to control his powers, and use it to better the world around them.

Collection of various papers written for history class