Surrealpoetry Stories

I'm gonna flaunt my age like a sage just only on this page

𝑻𝒉𝒆 𝒘𝒂𝒍𝒍𝒔 𝒊𝒏𝒔𝒊𝒅𝒆 𝒚𝒐𝒖 𝒂𝒓𝒆 𝒏𝒐𝒕 𝒑𝒓𝒊𝒔𝒐𝒏𝒔 - 𝒕𝒉𝒆𝒚 𝒂𝒓𝒆 𝒕𝒉𝒓𝒐𝒏𝒆𝒔.. 𝗧𝗵𝗲 𝗘𝗺𝗽𝗶𝗿𝗲 𝗪𝗶𝘁𝗵𝗶𝗻 is a descent into the many faces of power: desire, rebellion, control, silence, surrender, ruin. Each poem is a voice. Each voice is a fragment of the same empire - the one that breathes beneath your skin. Once you enter, it will not let you leave unchanged.

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Poem Description: "Strange Woman" is a haunting dreamscape of love, longing, and illusion. In this deeply introspective poem, the speaker recounts a surreal encounter with a mysterious woman who feels both familiar and unknowable-like a soulmate crafted by the subconscious. What begins as a tender connection quickly unravels into a bittersweet fantasy, revealing the speaker's vulnerability, heartache, and inner conflict. Through lyrical imagery and raw emotion, the poem explores the ache of falling for someone who may not be real-or who may only exist in the fragile space between dreaming and waking. As the speaker confronts both the beauty and pain of that connection, "Strange Woman" becomes a meditation on impermanence, emotional isolation, and the quiet hope for peace in the darkness. Perfect for readers who connect with themes of dreamlike romance, existential longing, and the bittersweet nature of love that never quite stays.

A depraved old man fights nature and the ethereal.

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Ash falls. Hearts ache. Nothing blooms. In this haunting collection, love turns crimson, memories burn, and the body becomes a cage for everything left unsaid. These poems explore loss, longing, and the quiet devastation of feeling too much-until there's nothing left at all.

We slithered beneath a cathedral of beech-fleshed Nephilim, their synaptic boughs brooding above our thrifted Chevy like spires of Babel- Ether held. Quiescence shackled. Static wraiths of neural tonic and THC jolted through our nerves- jaw locked at the damp root. Breath bound. Once we were spewed from the verdant lattice into the glaring grey open, wheat tides unfurled across the plains- furnace-lit glades breathed. Moirai cut. April's breath, glassy as my marble-floored gaze on gloaming's edge. Your earlobes-gemstone suns set in Sheen's trinkets- swayed as we drifted through liquid swells- The engine stirred in the fume-thick sanctum of tacit confessions and broken plans. We, Janus-mouthed hyenas, chattered everything, everywhere, all at once- trying to claw a life beyond instinct, since our son needed a language not built from blades. Our son, a slumbering barque at anchor, hull pressed to polyester, tilted in his car-seat, dreams drifting afar. Eros' milk calcified into bone. You crept, ivy, through the map of my heat in the dark-geometry without boundary, as though I was shaped for the eve we seep. I was trellis to wisteria twine- the bind that held- palms pressed to wall, eyes spasmed- azure crescents melted into treacle- salt rising from throat. All mothers, piranesi-bricked into themselves, releasing their locks. The changeling's kingdom you cage was never beyond saving- after the keys, after the release, there is a trace in us they cannot name. Day Zero.

A lost day in a cabin that is not my own.

Stability is not softness. It is the quiet tension between what breaks... and what refuses to. In this haunting poetry collection by Uddaniels, beauty and brutality coexist-feathered innocence lies beside something ancient, watching. These poems unravel the fragile threads of identity, fear, transformation, and survival, where even the most delicate forms carry teeth beneath their skin. From dark surreal imagery to raw emotional landscapes, Stability explores what it means to remain whole in a world that constantly reshapes you. Not all monsters are loud. Not all innocence is pure. And not everything meant to break... does.

A poetic journey to the edge of chaos and desire in 10 cantos. Includes 10 original artworks.

The Brando Hole of Ruger is an experimental free-verse poem that explores absurdity, surrealism, and the playful possibilities of language. Rather than following a conventional narrative, the poem deliberately abandons logic and embraces unexpected imagery, invented expressions, fragmented ideas, and unpredictable transformations. Across Parts One and Two, Ruger, Zebra Digger Lipsy, Crooksa, and Ruger Bringer Zuki inhabit a strange and dreamlike world where ordinary boundaries between people, objects, places, and ideas no longer exist. Streets can disappear, objects can become characters, time can move backwards, and meaningless phrases can acquire a strange sense of importance. The poem uses nonsense as an artistic device, creating humor and mystery while challenging the reader to search for meaning where there may be none. Its unconventional structure allows imagination to take control, making each line a surprising departure from the one before it. Ultimately, The Brando Hole of Ruger is a playful celebration of unrestricted creativity-a poem that does not ask to be logically understood, but invites the reader to experience its strange rhythm, unexpected imagery, and wonderfully chaotic imagination.

This isn't poetry. These are places that only begin to exist the moment you think about them for too long. Chapels that listen instead of praying. Cities that forget their own edges. Mirrors that remember you before you ever managed to save yourself. Every text is a trace of something that was never meant to be spoken. Every sentence an echo that doesn't know if it still belongs to the living world. And if you feel something breathing too close here... you're not reading this for the first time.