Persephone's Symphony

In which he is the bad one- the dangerous one, the clunky one, the one who only knows how to break things- and she is the good one- the fragile one, the soft one, the one who knows how to put things back together- and he has to keep her alive long enough for anyone else- anyone who can do more than kill- to save her like she deserves to be saved- to save her from him. There are no pomegranates, no three headed dogs, and no requirement to stay- that is, if they don't count an assassin on the loose out for her neck. In that case, three days in a safe house doesn't feel like a long time- just long enough for Persephone and Hades to remember why opposites attract.