She can't hear what the man in the truck says to him— the walls of this house are surprisingly thick. She supposes that's a good thing. It means she will be able to go about her days normally while cooped up here. Well, as normal as possible. She doubts she'll be able to get away with her three am rom-com marathons and ice-cream binges. She doubts she'll get away with screaming in her sleep— and in the shower and at the breakfast table and when doing any, little thing that makes her remember that her life is one, constant nightmare.
It's only three days— all she has to do is stay awake for three days.
While his head— her body guard's head— is turned she leans against the kitchen sink, inching back the white lace curtain for what feels like the hundredth time. It's like a little game at this point. She peeks at him, his eyes snap to hers, and she squeals and drops the curtain. Thank god the walls are thick. It's almost unnerving how tuned he is to every little movement. No, not almost— it is unnerving but she supposes that is what makes him a good fit for this job. A good fit for keeping her alive. Like she has been doing for months now, she ignores the way her chest squeezes painfully.
Through the little strip of window that she allows for herself, she traces over his features one last time. Cropped black hair, a square jaw, at least two days worth of stubble. He looks like a bodyguard— rough, dangerous, manly— and that's before taking into account the sheer size of the man. She is on her tiptoes, one hand pushing against the stainless steel below her for dear life, and she still has to crane her neck to properly see his face. She refuses to let her eyes wander any further than that— she had already glimpsed at the rest of him when he had made the short walk from the truck to the house. She already knows he's massive.
His eyebrow twitches and she drops the curtain— she may not be as fast as he is but she's a quick learner. Had she held the curtain open longer she is sure his eyes would have flicked to hers again. Those are the rules of the game, after all. She hears a muted thumping, the door handle jiggling from across the room, and she spins towards the faded farmhouse door. Her throat is tight as she watches the door handle turn and in that moment she wonders where all the air in the room went— it was there a second ago.
The door pushes open and she jumps away from the sink, only just realizing what it'll look like if he comes inside to her still hunched over the window. Of course he's already seen her but that's beside the point. The first rule of the game is not talking about the game. A boot comes into view— the black, military grade kind— and it hits her like a punch to the gut that this is real— there really is someone out there trying to kill her. Now she really can't breathe. She can only force her lungs to expand and to draw in some oxygen before her bodyguard finds her sprawled in an unconscious heap on the ground.
The boot is quickly followed by a leg, which is then, by default, followed by a torso and then a head. A head that turns and watches her freeze, red handed like a bandit, in the middle of the kitchen. Gods, she should have just kept leaning against the sink— this is worse! Her hands are up and everything, shot out in front of her like she's about to jump him or something. Yes, her— the girl currently in a hoodie that pools around her legs, displaying her knobby knees and bad posture— about to jump him— the man who had to practically duck to get through the doorway. She could laugh. In fact, she almost wishes he would laugh at her. She wishes he would do anything but look at her with that blank expression and those ice blue eyes.
"Uhm—" she blinks, trying to think of something to say other than holy shit you're a giant— which, for the record, is what she wants to say— "hi?"
Are you serious, y/n?
He tilts his head at her and she almost cries. Not the same fear ridden, heartbroken, panicky cries of late, though. More so the awkward, why the fuck would you say that to the man charged with keeping you alive brand of cries. The normal kind. She drops her hands to her sides, slipping them into the pouch of her hoodie and tangling her fingers together. It's best to keep them out of the way; she can only allow herself to display one embarrassing thing at a time.
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Persephone's Symphony
FanfictionIn which he is the bad one- the dangerous one, the clunky one, the one who only knows how to break things- and she is the good one- the fragile one, the soft one, the one who knows how to put things back together- and he has to keep her alive long e...